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1960 - 2023 BUDOKAN KARATE GENEALOGY As part of our plans to provide an historical narrative to each of our disciplines, Sensei Passmore sent over a Karate Genealogy spreadsheet to Renshi Bush, along with a request to see if he could do the research and build a story around the people responsible for creating the original Karate Kata, founded their different Ryu or styles and handed them down over time, so that we could enjoy practising and performing them today. KARATE DO THE WAY OF THE OPEN HAND HISTORY OKINAWA THE BIRTHPLACE OF KARATE Okinawa, Ken Prefecture, Japan in the Pacific Ocean comprises roughly two-thirds of the Ryukyu Islands of Japan. It is the smallest and least populated of the five main islands of Japan. Before Okinawa became a prefecture during the early part of the Meiji period (1868 -1912) it was a semi-independent kingdom under the influence of both China and Japan . In 1429, the three kingdoms on Okinawa unified to form the Kingdom of Ryukyu. In 1477 Shō Shi became king and banned the practice of Tō-te and Ryukyu kobudō (weaponry) however these continued to be taught in secret. The ban was continued even after Okinawa was invaded by the Satsuma Domain of Japan in 1609. The bans contributed to the development of kobudō which uses common household and farming implements as weaponry. The Okinawans combined Chinese martial arts with the existing local variants to form Tōde Tuudii, (China hand), sometimes called Okinawa-te By the 18th century, different types of Te had developed in three different villages Shuri, Naha and Tomari. The styles were named Shuri-te, Naha-te, and Tomari-te. Te often varied from one town to another, so to distinguish the various types of te, the area of origin was added, for example, Naha-te, Shuri-te, or Tomari-te. Shuri-te, Naha-te and Tomari-te belong to a family of martial arts that were collectively defined as Tode-jutsu or To-de. In 1879 The Ryukyu kingdom was annexed by Japan and was renamed the Okinawa Prefecture by the Meiji government. Naha is the capital city of Okinawa, Shuri is a district of Naha and Tomari is a neighbourhood where the Tomari terminal of the port of Naha is located. After 1926 Okinawa-te or Karate-jutsu was systematically taught in Japan . As you read this genealogy you will see that many of the styles of karate practised today inherited the characteristics of both the Naha-te and Shuri-te. The reason for this is because the founding fathers of karate were either born in Naha or Shuri or were taught and practised these styles of martial arts. This paper focuses on the styles and teachers that influenced the way we practise karate in Budokan. There are other styles such as Shorin-Ryu (Choshin Chibana) and Wado-Ryu (Otsuka Hironori) which have connected genealogies. Although I include Gichin Funokoshi (Shotokan) it is because he trained under Yasutsune Anko Itosu whom I regard as the father of Karate although Funakoshi is sometimes referred to as the father of karate. SATUNUSHI “TODE” SAKUGAWA Born in 1773 in Akata, Shuri, Ryukyu Kingdom. Died 1815 age 81/82 In 1750, Sakugawa trained under monk, Takahara for six years. At Takahara’s suggestion Sakugawa trained under Kusanku, a Chinese master in Ch'uan Fa. Sakugawa also spent six years training with Kusanku. He taught what he learned in Ryūkyū Kingdom in 1762. He was considered to be such an expert that people gave him, as a nickname: "Tōde" (Chinese Hand). His most famous student was Matsumura Sōkon, went on to develop the Shuri-te which later develop into Shōrin-ryū style of karate. The five Pinan forms were (allegedly) created by drawing from two older forms, kusanku and chiang nan. Itosu is also credited with taking the large Naihanchi form and breaking it into the three well-known modern forms Tekki Shodan, Tekki Nidan and Tekki Sandan. In 1908, Itosu wrote the influential "Ten Precepts (Tode Jukun) of Karate, reaching beyond Okinawa to Japan. Itosu's style of karate, Shorin-ryu, came to be known as Itosu-ryu in recognition of his skill, mastery, and role as teacher to many. While Itosu did not invent karate himself, he modified the kata he learned from Matsumura, and taught many karate masters. Itosu's students included Choyu Motobu (1857–1927), Choki Motobu (1870–1944), Kentsu Yabu (1866–1937), Chomo Hanashiro (1869–1945), Gichin Funakoshi (1868–1957), Moden Yabiku (1880–1941), Kanken Toyama (1888–1966), Shinpan Shiroma (Gusukuma) (1890–1954), Anbun Tokuda (1886–1945), Kenwa Mabuni (1887–1952), and Chōshin Chibana (1885–1969). Itosu is credited with the creation of Pinan Shodan, Sandan, Yondan and Godan, Tekki Shodan Nidan and Sandan, Jion, Jitte, Jiin, Cinte, Rohai, Bassi Sho and Dai, Kanku Sho and Dai and Gojushi Ho HIGOANNA KANRO Born 10 March 1853 Nishimura, Naha, Ryukyu Kingdom Died October 1915 Naha, Okinawa Higoanna was introduced to the martial arts by Arakaki Seiisho, a Chinese monk. Arakaki is known for teaching the kata Unshu, Seisan, Shihohai, Sōchin, Niseishi, and Sanchin. When in the 1880s Ryūkyū was annexed by Japan, Higoanna Kanryo returned to Okinawa where he taught the martial arts in and around Naha. He began by teaching the sons of Yoshimura Udun Chomei. His style of karate was called "Naha-te". He taught Naha-te to the public in 1905 in the Naha Commercial School. Kanryo was noted for his powerful Sanchin. Several of Kanryo's students went on to become influential masters of what came to be called karate, amongst them Chōjun Miyagi, Kenwa Mabuni, Kyoda Shigehatsu, Koki Shiroma, Higa Seiko, Tsuyoshi Chtose and Shiroma Shinpan (Gusukuma). In 1930, Funakoshi established the Dai-Nihon Karate-do Kenkyukai to promote communication and information exchange among people who study karate-dō. In 1936, Dai-Nippon Karate-do Kenkyukai changed its name to Dai-Nippon Karate-do Shoto-kai, which is known today as Shotokai, and is the official keeper of Funakoshi's karate heritage. 1949 Funakoshi's students created the Japan Karate Association (JKA), with Funakoshi as the honorary head of the organization. however, in practise this organization was led by Masatoshi Nakayama. The JKA formalized Funakoshi's teachings. CHOJIRO TANI Founder of Shukokai Born 1921, Kobe Japan Died 11 January 1998 Chojiro Tani started his formal karate training under Miyagi Chōjun, whilst a student at Doshisha University in Kyoto. When Miyagi Chōjun returned to Okinawa the founder of Shitō-ryū, Kenwa Mabuni took over the teaching. When he graduated from university, Tani began learning Shuri-te and then Shitō-ryū from Mabuni as well. After many years of training under Mabuni and becoming one of his most senior students, Tani received the certificate of succession from him and became the head of Shitō-ryū, enabling him to use the name Tani-ha Shitoryu. In 1946 Chōjirō Tani began teaching Shūkōkai at a dojo in Kobe, Japan. Shūkōkai was designed around the study of body mechanics and is very fast due to its relatively high stance aiding mobility and is known for the double hip twist, which maximises the force of its strikes. Being a direct descendent of Shito-Ryu, Shukokai inherits the characteristics of both the Naha-te and Shuri-te from Okinawa. Kenwa Mabuni merged the techniques and principles of the styles he learned from his teachers Kanryo Higaonna, and Anko Itosu to form his Shukokai style of Karate. Shukokai combines the circular breathing techniques from Naha-te and the quick linear movements of the Shuri-te styles. Katas like Sanchin, Tensho, and Seienchin are handed down from the Naha-te traditions, while katas like Annanko, Matsukaze, and Bassai-Dai are handed down from the Shuri-te traditions. The similarities between Tensho, Sanchin, and Seienchin, and the similarities between Bassai-Dai, Annanko, and Matsukaze, reveals what makes the Naha-te katas different from the Shuri-te katas. One of Tani's most senior students was Shigeru Kimura. After the death of Gogen Yamaguchi, the brothers Gosen and Goshi Yamaguchi shared the task of organizing the Goju Kai. Gosen became president and Goshi became Saiko Shihan, which means the highest technical authority. Gosen like his Father believed that sparing (jyu-kumite) was an essential part of karate training. Gosen Yamaguchi died only about a year after his father's death due to health reasons. He is remembered and greatly respected for his gentle unassuming nature, his wisdom, as well as his precise, effective yet beautiful flowing and typical 'Goju ryu' technique style, and his enormously dedicated and hardworking attitude to his duties of the IKGA and his career with Japan Airlines. After his death, the top instructors of the Japan Goju Kai Karate Federation appointed Goshi Yamaguchi as President and Saiko Shihan. RICHARD SALMON Born 28th November 1939 Durban – South Africa Richard Salmon introduced to the Martial Arts by Pearson Widdicombe at the YMCA Kodokwan Dojo in Durban where he obtained his first dan. Richard Salmon opened his first dojo in the double garage of his home in Sarnia in 1960. In 1961 Richard Salmon was introduced to Akira Taniguchi, then 5th Dan Goju-Ryu with whom he trained whilst Taniguchi was in Durban. Upon his departure, Taniguchi Sensei graded him to First Dan Goju-Ryu. In 1962 at the invitation of Taniguchi Richard Salmon travelled to Brazil with Des Botes, of Shukokai, South Africa, Also, in 1962 Taiji Kase (6th Dan Shotokan) instructor visited South Africa when Richard Salmon, amongst many other JKA karateka were trained by him the YMCA Kodokwan dojo. RAYMOND EDWARD RYAN Born 1 July 1936 Johannesburg – South Africa Died 13th November 1989 – Durban - South Africa Ray started his karate training with Shukokai where he teamed up with Richard Salmon. In 1963 Richard Salmon and Ray Ryan opened a dojo in Sarnia, Durban which was called Budokan. They acquired a piece of land in Westville, South Africa and with the help of their students built a dojo there which was the first Budokan Honbu. In 1965/66, Hanshi Chojiro Tani, came to South Africa and many of the Budokan karateka had the great fortune to be trained by him. Bibliography Okinawan martial arts - Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia. Sakugawa Kanga - Author: Wikipedia contributors - Wikipedia, The Free Encyclopaedia. – Traditions of Shotokan Matsumura Sōkon - Author: Wikipedia contributors - Wikipedia, The Free Encyclopaedia. Ankō Itosu - Author: Wikipedia contributor - Wikipedia, The Free Encyclopaedia. Gichin Funokoshi - Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia – The History of Fighting. - Karate do-My Way of Life-Gichin Funakoshi =- Karate Do Nyumon- Gichin Funakoshi Kenwa Mabuni - Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia- Karate Kenpo (1934), Karate-Do Nyumon (1938) – Kenwa Mabuni – Ancient Okinawan Arts 1 – Koryu Uchinadi -Standing on the Shoulders of Giants-Patrick McCarthy Chojun Miyagi - Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia. – International Okinawan Goju-Ryu Karate do Federation – Karate do Gaisetsu – An Outline of Karate Do – Chojun Miyagi–(1934)- Ancient Okinawan Arts 2 – Koryu Uchinadi Gogen Yamaguchi – Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia – International Karatedo Gojukai Association. - Higoanna Kanryo - Wikipedia contributors Wikipedia, The Free Encyclopaedia – International Karatedo Gojukai Association – Okinawan Karate Chojiro Tani - Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia – Shukokai World Karate Federation Shigeru Kimura- Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia - Shukokai World Karate Federation – Kimura Shukokai International Gosei Yamaguchi – Black Belt Magazine http://www.blackbeltmag.com Gosen Yamaguchi – Black Belt Magazine http://www.blackbeltmag.com Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia – Goshi Yamaguchi – Black Belt Magazine http://www.blackbeltmag.com Author: Wikipedia contributors Wikipedia, The Free Encyclopaedia MATSUMURA “BUSHI” SOKON Born in 1809 in Yamagawa Village, Shuri, Okinawa. Died in 1899 aged 89/90 Matsumura studied karate under Satunushi Sakukawa who is also referred to as Matsumura Kanga. Sakukawa was an old man at the time and reluctant to teach Matsumura, who was regarded as a troublemaker. However, Sakukawa had promised Kaiyo Sōfuku, Matsumura Sōkon’s father, that he would teach the boy, and therefore he did. Matsumura spent five years studying under Sakukawa. Matsumura garnered a reputation as an expert in the martial arts. He was the first to introduce the principles of Satsuma's swordsmanship school, Jigen-ryū, into Ryukyu kobujutsu (Ryūkyūan traditional martial arts). His most famous students include Ankō Itosu, Asato and Itarashiki Chochu. Matsumura is credited with creating and passing on kata known as naihanchi (Tekki), passai, seisan, Heian Nidan, chintō, gojūshiho, kanku (from kusanku's teaching as passed on to Tode Sakugawa) and hakutsuru (Hangetsu). Matsumura’s style of karate was known as Shuri-te which later develop into Shōrin-ryū style of karate. YASUTSUNE ANKO ITOSU Born in 1831 Gibo Village, Shuri, Ryukyu Died in 1915. Shuri, Okinawa Itosu started karate study under Nagahama. Following this he studied under Matsumura Sokon Itosu is credited with introducing karate into Okinawa's schools. In 1905, Itosu was a part-time teacher of To-de at Okinawa's First Junior Prefectural High School. Whilst there, he developed the systematic method of teaching karate techniques that are still in practice today. He created and introduced the Pinan kata forms (Heian in some styles) as learning steps for students, because he felt the older forms (kata) were too difficult for schoolchildren to learn. GICHIN FUNAKOSHI Founder of Shotokan Born 10 November 1868 Shuri, Okinawa Ryukyu Kingdom Died 26 April 1957 Tokyo Japan. Aged 88 years Funakoshi was a close friend of the son of Anko Asato a karate and Jigen-ryū master. He studied karate under Anko Asato and Yasutsune Ankō Itosu. Funakoshi had trained in both the styles of Okinawan martial arts of the time, Shōrei-ryū and Shōrin-ryū. Shotokan is named after Funakoshi's pen name, Shōtō which means "waving pines". Kan means training hall or house. Shōtōkan referred to the "house of Shōtō". This name was coined by Funakoshi's students when they posted a sign above the entrance of the hall at which Funakoshi taught. KENWA MABUNI Founder of Shito Ryu Born 14 November 1889 Shuri Okinawa Died 23 May 1952 Tokyo Japan. Mabuni started karate at the age of 13, training under Ankō Yasutsune Itosu. One of his close friends, Chōjun Miyagi who later became the founder of Gōjū-ryū introduced Mabuni to Higaonna Kanryō where he learned Naha-Te. Mabuni also trained under Seishō Aragaki, Tawada Shimboku, Sueyoshi Jino and Wu Xianhui (a Chinese master known as Go-Kenki). One of Mabuni’s most notable students was Chojiro Tani. By the 1920s he was regarded as the foremost authority on Okinawan kata and their history. It is alleged that Gichin Funakoshi learned kata from Kenwa Mabuni. Mabuni had several dojos in the Osaka area including one at Kansai University. In 1929, Mabuni moved to Osaka to become a full-time instructor of Hanko-ryū. Around this time karate became known as “open hand” as opposed to Chinese hand and Mabuni changed his style from Hanko Ryu to Shitō-ryū. This name was derived from the on'yomi readings of the first Kanji character of I(to)su (Anko) and Higa(shi)onna (Higaonna). Shitō-ryū focuses on both hard and soft techniques to this day. Mabuni's experience with both the Naha-te and Shuri -te styles made him renowned throughout Japan and Okinawa as the foremost expert on kata. CHŌJUN MIYAGI Founder of Goju Ryu Born 25 April 1888, Naha, Okinawa Died 8 October 1953 aged 65. Miyagi began studying Karate at the age of nine under Ryuko Aragaki. When aged 14 Aragaki introduced him to Kanryo Higashionna (Higaonna). His training with Higaonna was interrupted from 1910 to 1912 whilst Miyagi completed his military service. In October 1915 Miyagi travelled to Foochow where he studied some local Chinese martial arts. It was on this second trip that he observed the Rokkishu (a set of hand exercises which emphasizes the rotation of the forearms and wrists to execute offensive and defensive techniques), which he then adapted into the Tensho Kata. From the blending of these systems, and his native Naha-Te a new system emerged. In 1929 Chōjun Miyagi named the style Gōjū-ryū, meaning "hard soft style". After several months in China, Miyagi returned to Naha where he opened a dojo. In recognition of his leadership in spreading karate in Japan, Goju-Ryu, became the first style to be officially recognized by the Dai Nippon Butokukai. He revised and further developed Sanchin the hard aspect of Goju, and created Tensho the soft aspect. These kata are considered to contain the essence of the Goju-ryu. The kata, Suparinpei, is said to contain the full syllabus of Goju-ryu. Shisochin was Miyagi's favourite kata at the end of his years. With the goal of unification of various karate styles which was in fashion at that time, he also created more Shurite-like katas Gekisai Dai Ichi and Gekisai Dai Ni in 1940. Miyagi’s students included Gogen Yamaguchi, Seiko Higa, Seikichi Toguchi, Tatsuo Shimabuku, Erichi Miyazato, Meitoku Yagi, Seigo Tada and Anichi Miyagi. JITSUMI GŌGEN YAMAGUCHI “THE CAT” Born 20 January 1909 Miyakonojō, Shonai, Miyazaki Prefecture, Japan, near Kagoshima City Died on 20 May 1989. Gōgen was in the 5th grade when he began studying karate under Takeo Maruta in Okinawa. Maruta was a Gōjū-ryū practitioner. Maruta was himself a student of Chōjun Miyagi. At Yamaguchi’s invitation in 1929 Chōjun Miyagi visited Kansai, University Osaka, Ritsumeikan University, Kyoto, and Doshisha University. Yamagutchi was attending Ritsumeikan University at that time studying Law. In 1930 Yamagutchi and Jitsuei Yogi together founded the Ritsumeikan daigaku karate kenkyū-kai (Ritsumeikan University Karate Research Association), the first karate club at Ritsumeikan University. The Ritsumeikan Karate-dō Kenkyū-kai was the first university karate club in western Japan. Chōjun Miyagi gave Gōgen Yamaguchi the responsibility of spreading Gōjū-ryū in mainland Japan. In the early 1930s, Gōgen designed the Gōjū-ryū fist badge, which It is said is modelled on Chōjun Miyagi’s right fist. Gōgen Yamaguchi's contributions to Gōjū-ryū karate-dō and to karate-dō in general have been enormous. He developed and guided the International Karate-dō Gōjū-kai Association (I.K.G.A). It is popular in both Japan and other Asian and Western countries throughout the world. By 2008 there were approximately 60-70 countries teaching the Gōjū-kai karate-dō. Gōgen Yamaguchi succeeded in unifying all the karate schools in Japan into a single union which resulted in the formation of The Federation of All Japan Karate-dō Organization (F.A.J.K.O.) In 1964. The Kokusai Budō Renmei -(The International Martial Arts Federation) appointed Yamaguchi as a Shihan of that organisation's karate-dō division. Yamaguchi added the Taikyoku katas to the Goju- training methods for the beginner students to prepare them for the more advanced kata. SHIGERU KIMURA Born 2 March 1941 Kobe Japan Died 7 July 1995 New Jersey USA Shigeru Kimura began his karate training with Sensei Chojiro Tani at the age of 16. At the age of 21 he won the All Japan Championships. In 1965 left Japan in to teach Shūkōkai in Africa. He developed Shukokai emphasizing its power and strength and was regarded as an expert in the style. He later travelled to Europe and where he continued to teach. In 1970 at the age of 29 he moved to the United States, where he taught at Yonezuka's Cranford dojo for two years. He created the first Shukokai World Tournament in 1981. Chojiro Tani and Shigeru Kimura both made their greatest contributions to the style by continually refining each technique essentially re-defining the basics. Kimura made the study of body mechanics his primary focus. He taught that each technique was to deliver the greatest impact with the least amount of effort. He believed that each technique must be combat-effective. Kimura believed that a technique, no matter how powerful, was useless if it could not be delivered under combat situations. Kimura taught that as with the way of the samurai the outcome of a confrontation should be decided in a single technique. The result of his efforts is the combat-effective style of Shukokai. Shigeru Kimura died of a heart attack at the age of 54. GOSEN KISHIO YAMAGUCHI Born Manchuria 1940 Died 20th May 1989 The US Goju Kai has existed since 1963 as a significant group of the International Karate Do Goju Kai. Gosen Yamaguchi was the second son of Gogen Yamaguchi and he was the first instructor to publicize the entire Goju Ryu system in the United States. During his time as chief instructor, Gosen established the first Goju Kai Karate School in San Francisco at State College in the summer of 1963. After a while, Gosen Yamaguchi returned home to Japan to assist his father with teaching at the Hombu Dojo (central school). In 1966 he travelled to San Francisco with his wife, just married. From 1968 - 1971 Gosen worked for the airline Japan Air Line (JAL) in Frankfurt. In addition to his work, he continued to teach Goju Ryu Karate. After these three years, Gosen returned to Japan and was soon appointed Vice President of Japan Air Line. It is thanks to him that the Goju Kai was supported by JAL sponsorship in the 1970s.

CERTIFICATION With over 60 years of experience and technical excellence to draw on we provide only Black Belt Rank and Title recognition and accreditation to teachers, instructors, dojo leaders and students across all disciplines as a single discipline or as a multi-discipline, on recommendation only. THERE IS A CERTIFICATE OF GRADE OR RANK AND A CERTIFICATE OF TITLE. Each certificate has different wording in English and Japanese. The Certificate of Grade or Rank application is normally completed by the Dojo Leader for a current member of their Dojo. In the event of a Dojo Leader application it must come from an accredited source known to and supported by 2 current Dojo Leaders or Associates. THERE IS A FEE FOR A CERTIFICATE OF RANK. Scroll down for Grading Fee structure. A NOTE ON GRADING FEES For many years Budokan adopted a policy of not charging students for Kyu and Dan grade certification. This decision was justified on the common knowledge of grading systems becoming open to malpractice by officials of larger martial arts groups for the purpose of raising funds. When budokanworld.com was launched in 2010 we decided to ask the Dojo Leaders in the UK/EU/US and other countries, what a fair fee would be to pay for Dan Grades only issued by Budokan. After a few months of deliberation the Dojo Leaders generally felt that Budokan had real value in the technical excellence of their Dan Grades and suggested a number of options from which Budokan settled on the fair and reasonable Fee Structure below which, needless to say is below that which was presented. This is an image of the Budokan Certificate of Rank. and is for visual purposes only. English wording for each of the certificates will appear in the space on the left and the Japanese katakana in the space on the right. This beautiful work of art has been designed by Katy Passmore. They are all printed on Magnolia Parchment. Paper size A3. Explanation of the Henko The larger square Henko is the Seal of Budokan The smaller round Henko are the personal signatures from left to right of Darren Waghorne Rob Rohrey David Passmore Peter Bush Roy Estabrook Kyoshi Godan Saisho Sensei Kyoshi Godan CERTIFICATE OF RANK Recommendation is based on grading record, years of continuous training, technical skill prowess, accomplishments, dedication and service, attitude, teaching and instruction, heart, values and excellence in personal character. General Ranking guide to the timeline of consecutive years of training. Shodan 1st Dan 1-3 years Nidan 2nd Dan 3-5 years Sandan 3rd Dan 5-8 years Yondan 4th Dan 8-12 years Godan 5th Dan 12-18 years Rokudan 6th Dan 18 – 25 years Shichidan 7th Dan 25 – 32 years Hachidan 8th Dan 32- 45 years HOW IT WORKS 1 Each Dojo leader nominates a person or persons for accreditation and certification by Peer Review* directly to Budokan. These requests may be retrospective. 2 Kindly go to ACCREDITATION for the detail of what is required. 3 Upon receipt of this information by email and any attached documentation, we examine the credentials and all endorsements in text, pictorial audio or video format in support of the application. 4 We defer to two of our Community Dojo Leaders to assist us in the examination of those disciplines outside of our remit - such as Ju Jitsu, Kodokan Judo, Kendo and Kobudo. The personal Henko of each of these examiners will appear on the Certificate of Rank along with the Henko of the Doshu Richard Salmon and Kyoshi David Passmore. 5 A period of 6-8 weeks needs to be factored into the review process. 6 Once a decision has been reached either way, the recommender is informed directly by email. 7 If approved, an appropriate certificate is drawn up, dated, numbered and photographed with the appropriate Henko in place. This photographic evidence of Rank will be placed on the appropriate Dojo Page (in the public domain) for all to see. It wi also be registered for copyright protection and placed in our Dan Grade (Black Belt) Register. 8 If not approved, the recommender is informed as to the reasons why this decision has been reached by email and if appropriate offer outline measures to take that will allow a repeat application to take place within 12 months at no further cost to the applicant. 9 All certificates will be carefully rolled up and inserted into a secure tube and sent by post to the recommender to pass on or direct to the receiver, as appropriate. A signature will be required at each destination if possible. * Peer Review functions as a form of self-regulation by qualified members of our Traditional Japanese Budo Community. Recommendations for a person to be awarded a Certificate of Rank, who is no longer active in Budo may also be considered in appropriate circumstances . CERTIFICATE OF RANK FEE STRUCTURE All fees are shown in £GBP 1 2 3 4 5 6 7 8 Shodan Nidan Sandan Yondan Godan Rokudan Chichidan Hachidan 75.00 100.00 130.00 175.00 220.00 260.00 300.00 340.00 CERTIFICATE OF TITLE The Certificate of Title is conferred as an huge honour to bestow upon an individual Budoka deserving of this honour - see below for further definition. We undertake to seek the majority approval from all current Dojo Leaders for each recommendation. If no such majority is reached then Budokan will withdraw its application for a minimum of 12 months. THERE IS NO FEE REQUIRED FOR A CERTIFICATE OF TITLE. (Only a small production cost for the Certificate of Title and Posting and Packaging) The award of Titles is made using the ancient Shogoo system, as used by the Dai Nippon Butokukai of Kyoto in Japan, to those who have made an outstanding contribution to the development of Traditional Japanese Budo, shown leadership in teaching and the maintenance of a high level of Budo skills over decades of continuous service. Shogoo is bestowed upon a highly qualified individual of integrity ad honour with a proven record of achievement in all phases of their Budo. Renshi - Polished Samurai Warrior Kyoshi - Master Teacher Samurai Warrior Hanshi - Exemplary Illustrious Warrior - Master of the Samurai Way In Reference to the three titles Renshi, Kyoshi and Hanshi Ren = A Trainer of the Way Kyo = A Teacher of the Way Han = A Model of the Way Dojo Officials Sempai - a leading instructor Shidoin - a leading head instructor Shihan - a master instructor (For more details please email us at idavid@budokanworld.com ) FURTHER NOTES OF INTEREST ON JAPANESE BUDO TITLES 1. Sensei "Teacher or One who has gone before": This title is by far the most often used title in karate and generally refers to someone of Yon-Dan level (4th Degree Black Belt.) Many senior instructors including Hanshi Masami Tsuruoka, wi ll state that this is the most honorable title that a student can use when referring to the senior as their teacher. The title Sensei implies a close bond between the student and teacher's relationship. 2. Shihan: "Master or Expert Teacher": It is important to understand that the meaning Master as used in the martial arts is someone who has mastered the basic and advanced understandings {Principles} of a particular style or system, thus the title Shihan means someone who has mastered the basic and advanced techniques as well as the principles, concepts, and theory of their respective style of karate. The title Shihan does not mean that this person has stopped learning because they know all of the answers. On the contrary, they are considered to be the most serious and dedicated students in any style of martial arts. The title Shihan is generally considered to be an organizational title alone and has little meaning (May not be recognized) outside of the holders style or organization. 3. Doshi: "Leading Teacher": Title sometimes used before Renshi (3rd dan) 4. Renshi: "Senior Expert Teacher": This is the first of the three generally used teacher titles. Although this title is independent of rank, it is seldom given to anyone below the rank of Go-Dan. (5th dan) 5. Tasshi or Tesshi: "Apprentice Master Teacher": This title was originally the title used instead of Kyoshi. 6. Kyoshi: "Master Teacher, Teacher of Teachers": This is the second of the three generally used teacher titles. Although this title is independent of the ranking system, it is seldom given to anyone below the rank of Roku-dan and in most cases Shichi-dan). (7th dan) 7. Hanshi: "Senior Master Teacher": This is the third and highest of the three generally used teacher titles. Although this title is independent of the ranking system, it is seldom given to anyone below the rank of Hachi-Dan (8th Degree Black Belt) 8. Iemoto / Soke An iemoto may be addressed by the title Iemoto or O-iemoto, or by the title Sōshō or Ō-sensei In English. "Grand Master" is often the title that is used. The Iemoto's main roles are to lead the school and protect its traditions, to be the final authority on matters concerning the school, to issue or approve licenses and certificates and, in some cases, to instruct the most advanced practitioners

PETER BUSH My initial involvement in the martial arts started in August 1958 when I was 7. My Father enrolled me in the Ladysmith Health & Strength Club Gymnasium situated at 37 Keate Street, Ladysmith, Natal, South Africa, to learn Judo. In 1960 after I had just attained my junior 6th Kyu (green) belt, my Father was transferred to Durban. I never continued practicing judo in Durban and it wasn’t until 1971 that I reconnected with the martial arts. At that time I was working for the Department of Justice, Durban, having just completed my compulsory one year of military service. The chief financial officer, “Hank” (Herman) van Niekerk “Sensei Van” invited me to train at Budokan, Russell Street Dojo. On my first day there I was introduced to Sensei Ray Ryan, Sempei Vic Sykes, Sempei John Sinden and two junior black belts, Alan Haig and Alan Davies. Whilst with Budokan Russell Street, I attained the grade of green belt (6th Kyu). In January 1974 I enrolled at university to start a Bachelor of Arts degree. Because of my studies I was having difficulties attending training and almost stopped karate, however, I fortuitously ran into John Reece (3rd Dan Kodokwai) who was training the Natal University Karate Club. This was a branch of Kodokwai (JKA) which John ran together with Phil Mumford. I knew John from Grosvenor Boys High School where we went to school. He invited me to train at the University club where I had the pleasure of training under Sensei Robby Ferrier. I trained with Kodokwai from 1974 to 1976 eventually attaining my blue belt (5th Kyu). I represented the university in several annual inter varsity karate championships from 1976 to 1980. In 1976 I happened to bump into Sensei Vic Sykes. He had opened his own dojo called Ninja SA a club which he had started with Albie Frazer. Sensei Vic invited me to join Ninja SA. I was honoured to do so. On 13th March 1976 I was graded to Second Brown belt (2nd Kyu). Later in March of 1976 I travelled to the UK and whilst living in London trained with Sensei Keinosuke Enoeda, (9th Dan) until I returned to Durban. I then carried on training at Ninja SA and on 19th June 1976 I was graded to First Brown (1st Kyu). In 1978 as a 1st Kyu brown belt I won the South African Karate Association All Styles Kumite Championships brown belt division. In 1979 I was graded to Shodan together with Hennie van der Merwe, Mickey Scofield, Alan Haigh and Alan Davies. Our grading panel consisted of among others, Ray Ryan, Derrick Wridgeway, Larry Foster and Vic Sykes. In November 1980 I married and moved to Matubatuba where I ran my own dojo affiliated to Budokan. I was transferred to Darnall and opened a dojo there as well, also affiliated to Budokan. On 8th October 1983 was graded to Nidan. In 1984 I returned to Durban and continued to train with Budokan both in Durban and Westville. In 1984 and 1985 I took part in Springbok trials and although selected, never actually got the opportunity to earn my Springbok Colours. South Africa was excluded from international sport because of apartheid. In the years that followed a number of competitions were held throughout South Africa. These were sponsored by Sportsman’s larger and although I achieved some success in kumite no national recognition resulted from these tournaments. In 1989 I was graded to Sandan. Sadly this was the last grading attended by Sensei Ray Ryan who died shortly after. At the 1989 grading Terry Bosch was appointed as head of Budokan SA by Ray Ryan. Terry’s gym in Umbilo then became Budokan Hombo Dojo. I continued to train with Sensei Terry until March 2008 when I moved to the United Kingdom. During my karate career I have had the pleasure of training under Sensei Keinosuke Enoeda, Sensei Shigeru Kimura, Sensei Chojiro Tani, Sensei Yashitatsu Fukawa (Kendo) and Sensei Hasui Sasaki (Kendo). Sensei Hasui Sasaki was the head of the Kyoto Riot police and was invited to Durban by Sensei Ray Ryan. In 2003 I became an Advocate (Barrister) and a member of the Society of Advocates of KwaZulu Natal. I continued to train with Sensei Terry Bosch in Umbilo and with Sensei Vic Sykes in Hillcrest. In 2008 I moved to the United Kingdom where I was called to the Bar as a member of the Honorable Society of the Inner Temple. I digress to mention that when leaving for the UK in 1976, Sensei Ray Ryan had urged me to contact Sensei David Passmore whilst I was there, however, I could not find him. Fortuitously, I discovered that he was training in Lymington and visited him at Budokan UK dojo in around March of 2014. In February 2015 Sensei David Passmore “convinced” me to train with at the Budokan Lymington dojo. On 12th December 2015 I was graded to Godan (5th dan) and received the rank of Shihan. I have subsequently been given the rank of Renshi. 2018 and 2019 were wasted years because of the pandemic. I currently train at the Amazon Gym in Shropham, mostly doing kata and zazen. I have a Zen Garden at home where I practice zazen. I practice iaido at home primarily because I don’t like spectators around me when doing sword work. I remain an active member of Budokan UK as the Registrar and member of the Shihonkai.

THE STORY OF BUDOKAN BY DOJO ACTIVE BUDOKAN DOJO Budokan's very first Dojo in Westville South Africa. Every Dojo has a story, especially this one built by Instructors, students and friends of Budokan in an old quarry near Durban SA. GO TO THE DOJO PAGE Allan Pert Uxbridge London 1980 D Waghorne David Golding Arundel 2020 Richard Salmon Sarnia 1960 Richard Salmon Ray Ryan Derrick Wridgway Westville HQ 1961/2 Dunlop Paul Johannesburg 1967 Derrick Wridgway Port Shepstone 1972 Loek Latagan Knysna 1978 Hugh Sadler Maritxburg 1968 Frank Van Rensburg Montclair 1976 Willie Riddex Bethleham 1967 Terry Bosch Durban Umbilo 1989 Whitey Pollett Bloemfontenn 1967 Ray Ryan Derrick Wridgway Durban HQ 1969 Bob Smith Port Elizabeth 1968 Rob Rohrey Hollland 1989 Jan Steenkamp Springs 1968 Dup DuPlessis Potgieterrust 1968 Mohan/Moodley Durban 1968 David Passmore London HQ 1970 Peter Bush Matubatuba/ Dumall 1980 David Passmore Tunbridge Wells 1972 David Passmore Lymington HQ 2004 David Passmore Wadhurst HQ 1982 David Passmore High Rocks HQ 1975 John Hitchens London Weekend TV 1976 Roy Easterbrook Kings College London 1980 David Waters Tonbridge 1980 Mahmood Fakrho Bahrain 1982 Andre Labouchardiere 1982 Robiie Rowe Paddock Wood 1983 Peter Morley Hastings 1985 Neil Starks East Grinstead 1987 Keith Wright Uckfield 1990 Nicki Charnick Crowborough 1992 Peter Robinson Croydon 1989 Mike Clapham Southampton 2019 Keith Molyneux Bransgore 2020 D Waghorne David Golding Arundel 2020 Roy Easterbrook Ely 1986 Mick Spellman Hayes 1985 Tony McLaughlin Rickmansworth 1990 Paul Lazarus Harrow 1995 Cobus Calitz New Zealand TBC Rob Rohrey Hollland 2020

HISTORY OF KORYU JUJITSU A LITTLE MARTIAL ARTS HISTORY The fierceness of the Japanese warrior and his fighting arts have fascinated Westerners since the West came into contact with THEM more than 450 years ago. However it was not until the late nineteenth and early twentieth centuries that Westerners actually started to practice any of the Japanese martial arts. JUJITSU was one of the first, perhaps even the very first-of these Arts to be taught in the West and it was not long before Kano Jigoro's new Art and Sport of JUDO begun rapidly to gain popularity in Japan and a number of JUJITSU practitioners, encouraged by their instructors, changed over to Kano's JUDO, which although based on older jujitsu schools basic methods was considered at the time a more "scientifically structured system". At the same time, other Western JUJITSU dojo's went their own way, incorporating Western ideas into their systems, and thus laying the foundations for some of the modern jujitsu styles seen today. Even some of the oldest dojo's in Europe were forced to change over to the more modern and popular judo, just to survive. This is what also happened to our Kodokwan dojo here in Zambia, which was formed in 1928. At the time of its formation it was the only dojo that practiced JUJITSU and then around the early 1940s our Kodokwan began to include formal judo practice in its dojo. The traditional SAMURAI JUJITSU schools of old taught not merely a defensive art, but the curricula comprised a very comprehensive range of tactics, equipping exponents to face a great variety of situations. This is in sharp contrast to the techniques used in modern day JUDO competitions, for example classical jujitsu techniques were not designed to score points, but to be effective for increasing one's chance of survival, allowing an opponent minimal opportunity to counterattack. The throws were applied in such a way that the combatant could break one or more limbs of an opponent before throwing him, usually after the opponent had been attacked with atemi or body strikes. When the opponent was flying through the air, he was suddenly jerked down in such a way that under optimal circumstances he would break his neck, or at least seriously injure his spine. There was no space for any mistake on the battle field when facing off an opponent engaged in COMBAT JUJITSU and there were no rules or prohibited techniques in battle. Samurai on the battle field engaged in "Yori Kumi-Uchi" [grappling] dressed in armor, required super-quick reflexes and the utmost self-confidence in their technique."Zanshin" was at its peak in this situation of survival, for even the slightest mistake, an off balanced posture or loss of concentration could result in death. Using Yori Kumi-Uchi was essential to effective grappling in armor, for through this the warrior developed the balance, leverage, and mobility with which both to preserve his position allowing him to then use Atemi or Kansetsu-waza to break a limb and throw his enemy to the ground, then draw his short blade and plunge it into his adversary. A special blade, "Yori-doshi", was worn on the right hip for this purpose. For obvious reasons these techniques are prohibited in the modern day sport of JUDO and even in modern JUJITSU. In JUDO, where the safety of one's partner in training or competition is a most important issue, throws such as "Ippon-seoi-nage"[one arm shoulder throw], are applied with the arm of Uke [recipient of the force) in the Junte position, for greater safety. An important characteristic of classical jujitsu is precisely that many throws are initiated with uke's arm in gyakute position . There are also some types of throws in CLASSICAL JUJITSU in which both of Uke's arms are locked in Gyakute position, making ot much more dangerous as it makes Ukemi, [defensive measures, like break-falling] more difficult, in fact when the techniques is executed correctly , ukemi becomes nearly impossible. Since the CLASSICAL MARTIAL ARTIST was not protected by rules in combat, he needed very thorough knowledge of escaping and using Ukemi to survive throws that were applied with the intention of maiming rather than scoring a point. However, one has to realize that when a throw is executed correctly, with the intention and speed to maim or even kill, Ukemi cam be very difficult. Therefore, if possible it was better to escape using many different techniques, just before being thrown, with some of these techniques being of a very extreme nature, even being prepared to sacrifice a hand or elbow or dislocate a shoulder, just to get away from being thrown, not like SPORT JUDO, where being thrown just means losing a point. Needless to say some JUJITAU RYUHA came to specialize in equipping exponents to escape throws just before the actions were initiated. In TRADITIONAL JUJITSU there was no such thing as a "prohibited move", Tactics that could be employed included were and are, - grappling (kumi) ,throw (nage), plus techniques for limiting the negative effect of a throw, restraint (osae), locking the joints(kansetsu-waza), chocking (shime- waza), attacking the vital points of the body (kyusho-waza), body strikes (atemi ), kicking (keri), thrusting (tsuki), and hitting (uchi)- I have had the honour and privilege of watching these Koryu-Ryha Sensei demonstrate their JUJITSU in Kyoto City , at the Kyoto-shi Koryu Bujitsu Enbukai [THE Kyoto City Traditional Martial Arts Demonstration Meeting), where various Koryu Bujitsu schools from all over Japan gather to demonstrate their skills. It is truly amazing to watch these old JUJITSU SENSEI throw each around, and doing ukemi on the hard pine wood floors, without Tatami mats! I even had the rare opportunity to train for a while under Sensei Arao 5th dan, of Tondabayashi, Osaka City, who at the time was over 60 years of age. SENSEI ARAO is a BUDO MASTER IN TOMIKI AIKIDO AND DAITO-RYU JUJITSU where he practiced at the Tennoji Aikikan in down town Osaka. Finally I would at this time like to also thank all the Sensei, Senpai and Kohai in Takatsuki-shi, Tondabayashi-shi Shimin Taiku-kan Budo Dojo in Osaka, for putting up with this "Zambian kara hen na no Gaijin" (strange foreigner from Zambia) for all those years. (c) Jonathan Kruger 22011 - Shihan Kodokwan Judo Jujitsu Zambia

SHIKANTAZA An aide memoire Shikantaza (just simply sitting) is objectless meditation, in which the practitioner uses the power developed in concentration to remain in a state of conscious awareness. There are a variety of different views on what sikantaza actially means. Some say shikantaza is described best as, "quiet sitting in open awareness, reflecting directly on the reality of life". Shikantaza is often termed a goalless meditation in quiet awareness, not working on any koan, or counting the breath. It is an alert condition, performed erect, with no trace of sluggishness or drowsiness. Som scholars have said that shi means tranquility, kan refers to awareness, ta means hitting exactly the right spot and za means to sit. For me it all comes down to "j ust simply sitting still in tranquil awareness ". Zen - meaning meditation - changes your spirit by reflection. What follows is a short travelogue of nudges, reminders and observations to help you on the road to the Shikantaza experience. On the left hand side you will see some figures in bold . These figures should be used as a rough guide to the aproximate times that should have lapsed during your preparation and each section of your parctice. The first figure is for less experienced maditators. The second figure is for experienced meditators. Everybody is different and you will find out what suits you from your own experience. After you have sat down and become aware that you are upright and comfortable - from that moment prepare yourself - it varies with each individual. Close your eyes lightly - and keep them closed for the entire "zesshin". Breathe from the lower abdomen - so it becomes "abdominal respiration". It also called diaphragmatic respiration. Do not use your upper chest for breathing and keep your shoulders level and relaxed. Place your tongue lightly on the roof of your mouth and try to keep it there. You can't easily breathe in via the mouth if the tongue is in this position for long. You must breathe in and out through the nose. Slowly breathe in through your nose to say 5 seconds. Slowly breathe out through your nose for say 7 seconds Where the CO2 exhaled from your lungs is greater than the oxygen you breathed in. Keep just this going for a while and establish a rhythm of diaphragmatic breathing which reaches an equilibrium of around 5 or 6 seconds and 5 or 6 seconds out. Interestingly, this has historical precedent in religious practices where 6 seconds is exactly the time it takes to accomplish certain Buddhist mantra's and it is also found the same exhalation is used whilst citing the Christian Rosary. ..................................................Now become AWARE. On a wide range of levels. Your stillness is critical so - DO NOT MOVE UNLESS YOU HAVE TO. From below the belt you are absolutely rooted to the spot you are sitting on. No movement there. Your heartbeat - feel it - really feel it. Your body is still and your muscles have nothing to do - so they soften. And soften they do as you take in more oxygen into your blood through the established rhythm of your breathing. As the muscles soften your joints begin to open. There is the rhythm of your lower abdominal nuscles. In the stomach area the Japanese call the Hara. And there you will find what is called the Tanden. The single spot in the lower abdomen - about an inch or so directly below your navel. It is your centre of gravity. As you breathe in - they expand out - not too much. As you breathe out - they contract - just a little more. Maintain the rhythm. Slowly and imperceptibly, your muscles have softened to the point where you have become aware of it and you have to micro manage your posture from time to time in 4 tiny movements. 1 Most peoples heads move a little forward, so every now and then you need to move your head back to the midline of your shoulders and tuck your chin in just a little at the same time. 2 Raise your ribcage - this is the area where most people begin to stoop from. 3 This will lead you to gently make your lumbar vertebrae a little more concave. 4 Allow both shoulders to drop evenly. You will need to continue to make micro adjustments to your posture, (as above) as it naturally changes and you become used to feeling it necessary to do so. Its not a thought process - its just a feeling. And it usually ends up being a lot more comfortable. So keep doing it please. Maintain your breathing ryhthm. And become aware of your senses. Move your attention to your eyes and slowly roll them a little. From there flare your nose a few times as you breathe in. Push your tongue gently up to the roof of your mouth. Become aware of your hearing. Move your fingers a little for touch. And now you sense of being.....here.....now.... Turn your awareness onto your brain. That houses the mind. The best difference between the two I have read is "The brain is indeed the physical structure. Neurons, axons, dendrites, neurotransmitters, synapses, discrete structures… All that and more. The “mind” (consciousness) is the “emergent property” of the activity of that brain". Quora Past , present and future thoughts - pop in and out all the time - as has already been happening to you. Let them come and go. Learn how to get back to your awarenes of what you are doing in the present. Let the past go and do not look to the future - always stay in the present - it is not easy but comes with practice. And the flow of thoughts will begin to slow down as they should have by now. By raising or slowing our brainwaves, we can altar how we think, feel and act. Meditation is the process of slowing our alerting beta brainwaves to the slower states of alpha and theta. Beta is the waking, thinking state. It is our normal state of mind in which we are the highly alert. Alpha is a slower state more indicative of relaxing and reflecting. Meditation is often practiced in the alpha state. Theta is an even slower state perfect for daydreaming and intuitive thinking. Deep meditation and prayer are practiced in the theta state. Delta is the slowest of the four states where sleep occurs. At the slowest delta level, sleep is deep and dreamless. Neuroimaging studies suggest that the normal resting state of the brain is a silent current of thoughts, images and memories that is not induced by sensory input or intentional reasoning, but emerges spontaneously "from within." This is what the Zen Buddhists from the Soto sect refer to as “silent illumination”. And that is what actually happens - as feelings come before thoughts. But here in this stillness of the body, the rhythm of the breath opens the way to a deep, visceral awareness. It is much like Metsuke - a much heightened form of conscious awareness than Zanshin when training in Budo, along with the physical manifestation of Kime when doing any Kata. The head, heart and soul of it all. Our thoughts, our desires and our experiences. It is the awareness of awarenesses. And it is here that you have to work hard at sliencing your inner monologue from trying to analyse or comment on what you see and experience. It is the point when your subjective experiences becomes objective observation. It is where subjective and objective meet. Which ever so slowly over time begins to evolve into a clearer perception of the world inside your head and the real world out there. Images appear and disappear in a kaleidoscope of colour. Some are quite quick and slow to disappear. Some just slowly emerge into recognisable images. Many are landscapes and vistas that are new to you. Some are people and faces you have never seen before. You can't hold on to them for longer than a few seconds - most try to and fail. Swirling cloud-like images float around and past you. Giving you an impression of movement. Slowly you reach a deep state of absolute stilness and silence. It is often referred to as the "void". It is as if you are at the edge of space. You are in awe for what you think is an eternity. .../.../.../.../.../.../.../.../.../.../.../../../../../../../../../../../../../../../.................. Einstein said "The most beautiful thing we can experience is the mysterious; It is the source of all true art and science". How you emerge from this experience depends on the environment you are in. Always try to do so slowly if you can. Keeping your eyes closed for a few minutes more. Tuck your chin in to your chest - round your shoulders and your spine and gently stretch forward, as far as you comfortably can and hold for a minute. Sit up slowly and rotate your shoulders both ways by moving your arms. Move your head up and down slowly. And then to the left and the right. Sit still and upright for a moment with youe eyes open. Feel the moment. Lao Tzu said "Meditation is vital energy". And I do generally feel vitalised and full of energy in the immediate hours thereafter. But for me the chief consequence of doing 45 minutes or an hour of Shikantaza first thing in the morning, is the beautiful feeling of having tapped into my inuitive self aong with a sense of clarity that remains present with me for the rest of my day. Well, almost. It is not easy to practice Shikantaza every day - but the benefits are supreme. Each and every day thereafter. David Passmore Kyoshi At the beginning of 2021 DRAW A VEIL OVER THE FUTURE. LET GO OF THE PAST. EMBRACE THE PRESENT. 5-10

DEAL DOJO ROY ESTABROOK HAS NOW MOVED TO DEAL IN KENT WHERE HE IS TO OPEN A NEW BUDOKAN DOJO SOON. WE WILL BRING YOU NEWS OF THAT OF COURSE..... MEANWHILE HERE IS HIS AUTOBIOGRAPHY. My journey in the Japanese M artial Arts began in 1972, aged 18 when I enrolled in the Budokan UK Northolt Karate dojo run by Sensei David Passmore. At th at time there were two classes on a Tuesday and a Thursday evening in a school gym. I attended both of those. There were a lot of people interested in taking up Martial Arts so Sensei had to run two classes each night. One for beginners which ran for 90 minutes and one for Kyu grades which ran for two hours. We only practiced Karate in those early years, and my first grading certificate says Budo-ryu karate grade 6th kyu. I can remember registering on my first evening of training. Standing in a queue with Sandi Groom who was sitting by the entrance, taking names down. It was intimidating at first but I remember over all it was a welcoming atmosphere. Each class usually consisted of Kihon, Ippon Kumite and Kata. Sometimes the beginners class was run by Sandi Groom or Marion Tinkler. We didn't have a lot of female students so it was good to have these two formidable and pioneer women leading the class. By the time I reached my Shodan grading in 1977 , Aikido had become an intrinsic part of the practice. I took the grading with two other students, and we had to go through four preparation classes at the High Rocks dojo which was then the Hombu dojo. To say they were demanding would be a huge understatement but they did prepare us well for what was to come. We also had to write four short essays on different subjects relating to our practice. The memories of that day are as strong as ever and receiving my black belt from Sensei was a great moment. Under the technical direction of Sensei David Passmore, I became Chief Instructor at the King's College Dojo on the Strand in London. Around the same time, I was promoted to Chief Instructor of the Northolt dojo when it was relocated to a new home. The new premises at Northolt allowed us to have a mat down permanently as we were the sole user of the premises. It also had an area outside where we could practice in the summer months. Instructing at two dojos meant that I was teaching five sessions a week thus finessing my teaching skills and style. I would also attend the Sunday training class that Sensei held at the High Rocks dojo. The King's College Dojo expanded very quickly. The classes were on a Wednesday evening from 7pm to 9pm, and Saturday Morning from 11am to 1pm. We were the only Martial Arts club at the college then, and interest was high. We often had up to fifty beginner students training. Sensei would come to teach once a month at the Saturday morning class. We held Gashkyu at King's College on a regular basis under his guidance, usually to combine with Gradings. It was at the Christmas Gashkyu on the 6th December 1980 that I was proud to receive my Nidan grade. The first time that Sensei had awarded that prestigious grade. A few years later, the Northolt dojo closed for land redevelopment and I took this opportunity to open a new dojo in Edgware. Eventually the Edgware dojo changed venue to Bounds Green where Roger Tym was the instructor. I moved to Cambridgeshire where I would continue to teach. It was a time of tremendous growth in Budokan, and for myself as I was able to guide and teach Kyu grades through to their Shodan. During this period, our Gashkyu were held at the National Sports centre in Crystal Palace. They consisted of two day residential seminars on weekends. The Sunday Morning class started with Shinkantaza at 7am before breakfast. Despite the raucous traditional party on the Saturday evening, most students would attend the Zazen. Sensei would invite guest instructors to teach on different sections on the mat. Sensei Vic Cook came and taught one memorable Iaido class. It was at a Gashkyu at Crystal Palace in April of 1982 that I was granted my Sandan. Sensei David Passmore always encouraged his students to expand their knowledge of the Martial Arts and I attended Aikido courses taught by different Sensei. These included Sensei Saito , Sensei Tamura, Sensei Tomita, and Sensei Minoru Kanetsuka when he was invited to our club for a two-day course. It was a very intensive weekend and I think I've still got a right shoulder injury to remember him by. For the first two hours of the opening session, he concentrated on my favourite Suwariwaza ikkyo before we went through the remaining Katame Waza. In 1991, I received a personal invitation from Master Minoru Mochizuki, founder of his own school of Martial Arts, the Yoseikan Budo. I had been writing to him for advice on matters relating to classical bu-jutsu so I gratefully accepted that invitation to train at his Hombu Dojo in Shizuoka, Japan. Minoru Mochizuki had been Uchi-deshi to Jigoro Kano and to Morihei Ueshiba as well as studying with Gichen Funakoshi. Only two people ever received a Menkyo Kaiden from O'Sensei Morihei Ueshiba: Kenji Tomiki and Minoru Mochizuki. The Yoseikan school's training curriculum was similar to that of Budokan: to practice more than one Martial Art and therefore remain open-minded in your development. I was going to represent Budokan so I felt compelled to intensify my training prior to my travelling to Japan. I stayed at the Yoseikan Hombu Dojo for four weeks and trained relentlessly every single day in order to gain as much understanding as I could from this great teacher. The Dojo operated daily, with Aikido on Monday, Wednesday, Saturday and Sunday afternoon. Thursday evening was free practice. The Aikido nights always included Karate training. Each session began with the punch bag when a variety of punches and strikes with the hands and elbows were practiced, followed by a full range of kicking techniques. What separates Yoseikan Aiki from other schools is the use of Sutemi Waza [sacrifice throws]. I had never practiced this before and found that this judo influence helped my understanding of Aikido. Just as Jujitsu-influenced Karate increased my own understanding of Karate. I would often practice in the afternoon on my own. I particularly enjoyed using the Dojo's Makiwara. I was told by one of the Master's Uchi-Deshi that he was happy with my progress. This level of commitment led me to be invited back but sadly I could not return. In my work as a Director of Photography, I travelled extensively. I was fortunate enough to visit our Budokan dojo in Bahrain where Mahmoud Fahkro had his club. He kindly asked me to teach some classes and was particularly interested in me leading a kata class. I practiced some T'ai Chi ch'uan in Hong Kong. Our local production fixer introduced me to a t'ai chi teacher who guided me through one t'ai chi form. I was very interested in the passive and active principles of the form and the breathing linked to the movement. I had to get up very early and train in a park before going to work. I was able to practice some Gojo ryu in Australia. I had attended a Gojo ryu classes at home in Ely and I had agreed with the instructor that I would teach him some Aikido in exchange of Gojo ryu Kata Shisochin . He gave me a letter of introduction to a dojo in Sydney where I was able to train on my visit. I was awarded my Yondan on the 21st November 1987 at a Gashkyu in Wadhurst. The same hall that I had achieved my Shodan. I have always considered the martial Art studied within Budokan to be of the highest quality and when Kyoshi asked me to be on the Shihankai, I was truly honoured to be involved. I hope my experience can be of benefit as we continue to diligently study on our chosen path. One of the most treasured memories I have is being able to do some Zazen at Sigiriya rock in SriLanka - a place of Buddhist retreat and meditation for as far back as the 3rd century BC. Budokan is the only Martial Arts organisation that I know of that includes Zazen as part of its programme. Studying the Martial Arts has had a major influence on my life, and with the formal introduction of Zazen into the training syllabus back in the 1980's perhaps the biggest influence of all.

THE ZEN HUT 5 MINERAAL STREET JUKSKEI PARK RANDBURG GAUTENG Disciplines KARATE KENJUTSU KOBUDO MEDITATION AND PHILOSOPHY Chief Instructor RAY STRODL 1960 - 2022 Trained at the Budokan Honbo dojo in Durban from early 1978 under Shihan Ray Ryan and achieved Shodan in 1979. Became part of the Budokan teaching team and ran classes at Pietermaritzburg, Montclair and Durban North Dojos for Shihan, before being settled at the Bluff Budokan dojo which he ran with Carol Strodl. Ray participated in Budokan and all style championships over the years, and was part of the Natal all styles team for 5 years, and became the SA Budo Ryu Grand championship in 1986. After this his focus was teaching, refereeing and administration of Karate as assistant to and then secretary for all-style associations and the Budo Ryu Style. Ray always tried to participate in all aspects of Karate but his focus and love was for Kata and weapons particularly Sai, Bo and eventually Kenjutsu. Ray was graded to Sandan at the last Blackbelt grading that Shihan Ray Ryan held in Durban on 11 November 1989. He was very involved with the administration for the Natal all-styles Karate association but after a long period involved in this aspect of sport karate prefers to focus on traditional Budo rather that sport karate, which he believes has ruined many styles as they began to focus on winning competitions rather than effective combat techniques. Ray has been a practicing Buddhist who studies and writes on philosophy, ethics and providing effective financial advice in a high-tech financial services environment. Ethics is a core area of study, his writing and teaching in the financial services industry. Ray has lived in Johannesburg since 1998, where he has run an Education and Training company which has focussed on developing financial advisers and planners since 2000. During the last few years he has been focusing on development of online learning and education. During this time in Gauteng he has trained in Tai Chi, Jeet Kun Do, Kobudo and more recently Kenjustu at the Tombukai BuJutsu dojo in Pretoria where he is focusing on Mugai Ryu. His training was interrupted by a serious illness and he is now focussed regaining strength and suppleness to be able to participate in Karate and Kenjustu for the foreseeable future

THE BUDOKAN SHIHANKAI All activities that take place within Budokan are managed and operated by its Shihankai. A small group of experienced people, some of whom really do back a very long way indeed. They are all tasked with various responsibilities, ensuring that the technical, educational and organisational standards set by Budokan in all of its operations and entitlements, continue to be at the forefront of its thinking and planning now and for the future of Budokan. The new Budokan Kamiza for all members of the Shihankai and other Teachers and instructors to use in their Dojo. David Passmore FOUNDER HEAD OF DISCIPLINES AND TECHNICAL PANE L MEMBER OF ACCREDITATION PANEL EDITOR, PUBLISHER AND SITE BUILDER OF THIS SITE david@budokanworld.com READ HI BIO Peter Bush DEPUTY HEAD SHIHANKAI MEMBER OF ACCREDITATION PANEL bush.peter@sky.com READ HIS BIO Rob Rohrey MEMBER OF ACCREDITA TION PANEL www.budokan-netherlands.nl rob@budokan-netherlands.nl READ HIS BIO Roy Estabrook MEMBER OF ACCREDITATION PANEL royestabrookcam@aol.com READ HIS BIO Katy Passmore ASSISTANT PUBLISHER AND GRAPHIC DESIGN Darren Waghorne MEMBER OF DISCIPLINES AND TECHNICAL PANEL darrenwaghorne@yahoo.co.uk READ HIS BIO M ike Clapham MEMBER OF DISCIPLINES AND TECHNICAL PANEL michael_clapham@hotmail.co.uk READ HIS BIO Keith Molyneux spungwort@hotmail.co.uk READ HIS BIO Joe Bracone joebracone@yahoo.com READ HIS BIO

RAY RYAN RAYMOND EDWARD RYAN Born 1 July 1936 Johannesburg – South Africa Died 13th November 1989 – Durban - South Africa Ray started his karate training with Shukokai where he teamed up with Richard Salmon. In 1963 Richard Salmon and Ray Ryan opened a dojo in Sarnia, Durban which was called Budokan. They acquired a piece of land in Westville, South Africa and with the help of their students built a dojo there which was the first Budokan Honbu. In 1965/66, Hanshi Chojiro Tani, came to South Africa and many of the Budokan karateka had the great fortune to be trained by him. His visit was followed by Seiichi Fugiwara, Chief Instructor of the WKU Teaching Department (Gōjū-ryū) and later also Shigeru Kimura Shukokai Hombu dojo. Richard Salmon was graded to Sandan in Shukokai Karate by Chojiro Tani. In 1967 Richard Salmon Ray Ryan went to Japan where they trained at Gōgen Yamaguchi karate-dō dojo in Nippori, Tokyo Japan. In the photo below Richard Salmon and Ray Ryan are seen with Chojiro Tani (far left kneeling), Gosen Yamaguchi (centre kneeling), Gosei Yamaguchi (far right kneeling) and Goshi Yamaguchi (far right standing). In 1969 Ray Ryan took over Budokan as Richard Salmon had left to start his Mountain Leadership School. In 1970 Budokan was introduced into England by Daivid Passmore. In 1974 Ray Ryan and several of the Budokan senior karateka were invited by Gogen Yamaguchi to train at his new dojo at the Gōjū-kai Headquarters in Suginami-ku, Tokyo, Japan, nearby to the busy shopping precinct of Roppongi. In 1978 Ray Ryan was Again invited by Gogen Yamaguchi to train at the Karate College started by him at Gōjū-kai Headquarters in Suginami-ku. Again, several of the senior karateka joined him on this trip. Those invited to train at the Karate college are seen here pictured with Gogen Hamaguchi (seated centre front) and Wakako Yamaguchi (second left rear). On the 1978 trip Budokan karateka also had the great fortune to train with Chojiro Tani. He is kneeling centre front. In 1979 Chojiro Tani and Shigeru Kimura returned to South Africa and the members of Budokan were once again invited to train with them. This was arranged by Edwin Ward of Shukukai and took place at Radio House in Durban.

BUDOKAN KARATE IN JEFFREYS BAY 14 TECOMA STREET JEFFREYS BAY SOUTH AFRICA 6330 EVERY WEEKDAY MORNING AT 10AM BEGINNERS WELCOME 1960 - 2022 Classes are held in a vibrant atmosphere where students benefit from some of the highest quality tuition available in SA today. Discipline KARATE Chief Instructor LOEK LATEGAN 7 DAN BREAKING NEWS 11 December 2020 Chief Instructor Loek Lategan received the news that two of his most loyal students had been awarded their Dan Grades after many years of continuous training as follows: Cobus Calitz 6th Dan Karate Marie Perelis 2nd Dan Karate Congratulations to all concerned. Marie Petrelis

MEMORIAM Here we will hold a listing of Dan Grades, Teachers, Dojo Leaders and Students who have passed away that we are aware of. If we hold any biographical data in text, pictures, audio or video then the relevant persons name will be underlined and by clicking on that name, you will be taken to a special page dedicated to that person and his or her biographical history. Please send us a picture and any relevant information we can verify against anyone listed on this page and we will post it up - forever. We also have many individuals to remember for their unstinting contribution to Japanese Budo that they made, often with great personal sacrifice during their lives. This page will honour them too, for whom all of us connected with Budokan, shall be forever grateful. We shall always remember them. DAVID PASSMORE RAY RYAN WHITEY POLLETT WILLIE RIDDEX DUNLOP PAUL VIC SYKES JON WYATT LEO LIPINSKI FRANK VAN RENSBURG BOB SIMMS DOUGGIE KNOX SANDI GROOM CLIFF LAWRIE-ROSS MIKE BOND CAROL LEVY HERBIE EDWARDS HENNIE VAN DER MERWE NEIL CRAFFORD AMADEO NUNES HAROLD LIND JEAN RESCH JULIE TULLIS ANDREW BROWN BOB ALLAN TREVOR HUGHES IAN CARD BRIAN VAN DER MERWE JOHAN COETZEE ANDRE THERON "We all get told stories by our parents as we grow up. The strongest memories I have of stories told by Sandi, my Mum are of Budokan. A child of the 50's with a rebellious streak I know she was difficult for her parents to handle as a young woman, running away more than once - and running with a colourful crowd. When Budokan came into her life, the discipline and the people meant more to her than anything she had felt before. Sadly we lost our Mum too young. I wish she had kept with the practice and the people - but it was not to be. A spiritual person, she connected with the practice, the teacher (Dave Passmore) and fellow student (Dave Wills), from my memory this was perhaps the happiest period of her life. A great mum to my three sisters and me, a character with strong opinions, we miss her greatly. If she were alive now she would be so proud to be on this list amongst the other yudansha whom she loved so much. " My own recollections follow; Sandi was bold, headstrong, true to her convictions, and very forthright. Starting her karate career in her late teens at the original 1972 Northolt dojo, with Sensei Passmore, then Nidan, she rapidly showed a talent for martial arts. She can truly be considered a founder of the Northolt dojo. She had excellent technique and became the inspiration for many more ladies and girls to join the dojo, and the subsequent Harrow dojo, in those early days. She also worked with Sensei to develop "feminine" versions of the basic kata, though this experiment eventually stopped. Typically, Sandi herself preferred the traditional forms! She was graded to Shodan. Sandi moved to Cornwall when her first child, Lee, was born and eventually settled in Devon. She became an accomplished gardener. She was a diehard supporter of animal rights and humane animal husbandry. She was a staunch and loyal supporter to those she identified as friends, and of course, her family. She brought up her four children mostly on her own, all of whom, unsurprisingly, given her own character, became strong, independent, and successful individuals in their own spheres. She died unfortunately young, leaving her son, three beautiful daughters, and three boisterous grandsons. VIC SYKES It is with great sorrow that we bring you news of the passing of Vic Sykes on the morning of Sunday 14 August 2016- after complications had arisen following a triple heart bypass operation in Durban South Africa. A well known and much revered member of Budokan SA, Vic became a highly skilled Karate practitioner and a great teacher. He is left by his lovely wife Moira and their son Clinton. Vic Sykes - far right - attending one of the many Budokan events in sunny Durban. His wife Moira is facing away from the camera in the foreground. On the far right - sitting down is Pam - the wife of the late Ray Ryan - one of the Co-Founders of Budokan SA. In the centre of the pic at the back is Derrick Wridgway, whom Budokan UK students may recall visiting us at one of our workshops with his lovely wife Sylvia 5 years ago. Other people Sensei Passmore recognises are Mike Bond seated in the middle and Alan Haig - standing in between Derrick and Vic at the back. KANETSUKA SENSEI passed away on 8 March 2019 OKIMITSU FUJII passed away on 10 April 2017 It is with great sadness that we hear of the passing of Fujii Sensei - a much loved and highly respected teacher of Japanese Budo - with just a slight penchant for Kendo. Many Budokan students would have fondly rembered Fujii Sensei at the Traditional Japanese Budo events that were held in the magnificent Dome at the University of Derby Buxton, where this picture of him was taken in 2014. VICTOR HARRIS We are saddened to hear of the passing of Victor Harris who is famous for translating Go Rin No Sho by Miyamoto Musashi - A Book of Five Rings - a master class of strategy that should be in all Japanese Budo students bookshelves. The philosophy behind it is influenced by Zen, Shinto and Confucianism, and came to be used by many corporations around the world, especially in Japan. The cover below shows an 1848 print of a picture by Kuniyoshi, showing Miyamoto Musashi practising fencing with two sticks, which became the hallmark of his technique and sword style. RIP LEN BLUNT It is with great sadness, that we have to post the news that Len Blunt, a former student of Budokan and beloved Father of one of our Dan Grades, Alex Blunt, passed away in Oakhaven Hospice in Lymington, after a pretty long battle with prostrate cancer. Len was a gentle soul and was much loved by all who knew him and had the pleasure of spending some time with him. RIP