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ACCREDITATION This page will hold all of the information headings required for accreditation of Rank and Title. It is directed to the person or persons making the recommendation for an individual to receive a Dan Grade Rank such as a Dojo Leader or Chief Instructor. In the event that a Dojo Leader is being put forward for a Certificate of Rank, it will require the additional names of two referees acting in support of their recommendation. APPLICATION FOR CERTIFICATE OF GRADE PLEASE USE THESE HEADINGS FOR INFORMATION PROVIDED NAME OF RECOMMENDER GRADE AND TITLE DISCIPLINE (S) POSTAL ADDRESS EMAIL ADDRESS PHONE NUMBER NAME OF PROPOSED RECIPIENT OR CANDIDATE CURRENT GRADE DISCIPLINES (S) POSTAL ADDRESS EMAIL ADDRESS PHONE NUMBER TRAINING START DATE GRADING HISTORY GRADE DATES SHODAN NIDAN SANDAN YONDAN GODAN ROKUDAN CHICHIDAN HACHIDAN RECOMMENDATION PLEASE PROVIDE ALL OF THE REASONS FOR YOUR RECOMMENDATION Consideration is given to each of the following : - grading record as above, years of continuous training, technical skill prowess, accomplishments, dedication and service, attitude, teaching and instruction, heart, values and excellence in personal character. APPLICATION FOR CERTIFICATE OF TITLE FOR INFORMATION PURPOSES ONLY RECOMMENDER WILL BE BUDOKAN IN ASSOCIATION WITH DOJO LEADERS NAME OF PROPOSED RECIPIENT OR CANDIDATE CURRENT TITLE DISCIPLINES (S) POSTAL ADDRESS EMAIL ADDRESS PHONE NUMBER TRAINING START DATE GRADING HISTORY GRADE DATES SHODAN NIDAN SANDAN YONDAN GODAN ROKUDAN CHICHIDAN HACHIDAN DOJO HISTORY TITLES AWARDED ACCOMPLISHMENTS RECOMMENDATION PLEASE PROVIDE ALL OF THE REASONS FOR YOUR RECOMMENDATION Titles are awarded to those who have made an outstanding personal contribution to the promotion and development of Traditional Japanese Budo, showing leadership in teaching and the maintenance of a high personal level of Budo skills over decades of continuous service.

WORKSHOPS DECEMBER WORKSHOP GO TO BUDOKAN LYMINGTON DOJO PAGE Budokan Karate We missed our workshop in 2019 but at last we were able to host it at the Lymington Dojo on Saturday 4 December. Thank you to those Budokan stalwarts who made it from Norwich, Shropshire, Sussex and London to come and join the locals for a workshop that focussed entirely on the fundamentals of our Karate. Budokan has a proud history, legacy and lineage going back 60 years. It has an impressive Black Belt Register, of over 200 people of which the majority come from the UK. Budokan has spawned over 70 Dojo in various countries and consequently a large number of Sensei too over the years. There are two additional elements both close to my heart that Budokan is also well known and respected for. The first is our mantra - “Strong in Had - Kind in Heart” - “Kokoro ni - Tsuyoi te”. The Japanese kanji for this will appear on all future Mon. The other is just as important and that is our reputation for high standards of technical competence. As the first SHO (as in Shodan or First Dan) or Founding Sensei and Chief Instructor, here in the UK, I take it upon myself to be the Guardian of technical competence at all levels across all Budokan Dojo. All Budokan Teachers and Instructors should be teaching the same fundamental and basic techniques in the "Budokan Way'. And all Budokan Black Belts know this way to be the "rigorous mental and physical training towards self-realisation in the tradition of Zen Buddhism". Alex and Tony working on their Ananko basics. Will B doing MaKeri during Ananko THE FUNDAMENTALS OF BASICS IN KATA BREATHING - Kokyu - The Power of Co-ordinated Breathing STANCES - DaChi - Right Length - Right Width - Right Angle POSTURE - Shisei - Upright - Head Balanced - Eyes and Shoulders level MOVEMENT - Balance - Rotation - Stillness POWER - Stopping, Starting and Release GLIDE WALKING - TsugiAshi - Smoothness from Point to Point JANUARY WORKSHOP GO TO LYMINGTON DOJO PAGE 1/1 Budokan Aikido We practise the aikido that emerged from the Aikikai in japan in the mid to late sixties. Chiba Sensei was chosen to bring it to theUK against his wishes. His brief was basically to beef up the aikido community here. And that is exactly what he did do. The style of Aikido at the Aikikai today has little resemblance to Chiba’s aikido at all. And with the emergence of all of the other styles of Aikido such as Yoshinkan, Tomiki, Ki Aikido to name a few - Chiba chose to refer to his Aikido as that closest to the original Aikido of the Founder and called it Traditional Aikido. And that is closest to the Aikido that we practice today and we retain the same name. Because here at Budokan we practice all of our disciplines in the same spirit of Budo that Chiba endorsed and that has become part of an already existing hallmark of Budokan. When Chiba went to live in the US, Budokan came under the influence and flair of the technically minimalist and highly effective Aikido of Tamura Sensei. Both contributed to what we refer to today as the “Budokan Way”. KokyuNage and the Art of Ukemi Kokyunage are generally described as breathing projections and so they are to be practised with breathing in both mind and body. That is coordinated and synchronised in both mind and body. So the practice of Kokyu Nage begins to be taught using the Kgeki Ho - what are generally referred to as the entire range of “attacks” used in aikido. Many students struggle with the idea that Ukemi in Kokyu Nage is no longer the response to the feeling of pain but the conscious choice to synchronise pure action in role play, Only pure action takes place One executes the action - the other takes ukemi. As pure action that requires blending into the flow of the technique and becoming a part of it. In other words there is no "attack" and no "defence". Which is completely alien to early stage aikidoka. Whilst taking ukemi is an essential and important part of the ability to become skilful in the practice of Kokyu Nage, there are however a few things that are more important to get right first. Breathing It is a basically simple premise - Breath in when receiving and breath out when projecting. Perception and Timi ng Students don’t naturally perceive potential danger in the dojo. But if you create the perception of dnager approaching and act accordingly you will move more smoothly and more importantly, at the right time . Maai Part of this perception is to establish the right distance at all times in an ever changing scenario. to limit the danger but more importantly to occupy the exact space at the right time. Sabaki And this is done using Sabaki - your angle of movement - particularly Irimi. And Ushiro Tenkan - especially when you need space - quickly.

THE VILLLAGE HALL LLANGUNLLO KNIGHTON LD7 1SW DOJO LEADER AND INSTRUCTOR KEITH MOLYNEUX 4 DAN SHIHAN +44 07450 847791 Disciplines KARATE - SHUKUKAI RYU KARATE SELF DEFENCE FOR WOMEN AIKIDO - TRADITIONAL IAADO - MUSO SHINDEN RYU MEDITATION Technical Director DAVID PASSMORE 7 DAN KYOSHI Chief Instructor KEITH MOLYNEUX 4 DAN SHIHAN OUR LINEAGE BUDOKAN LLANGUNLLO MEMBERSHIP INFORMATION BLACK BELT REGISTER CLOTHING AND EQUIPMENT Dojo Leader KEITH MOLYNEUX 4 DAN SHIHAN I started my martial arts career to encourage my then 8 year old son to take up Karate. I was instantly hooked. Initially I trained Wado Ryu Karate with a focus on competition Kumite, as well as Urban Krav Maga. After a period of a couple of years I was approaching my 2nd kyu grading when a chance meeting with Sensei Passmore introduced me to Budokan. Budokan and Traditional Japanese Martial Arts have been a part of my life ever since. To this day it is still the only organisation that I have come across that includes Zazen in its syllabus, let alone 3 of the big traditional martial practices. Zazen and the philosophical aspects of traditional martial practices promote qualities that are sadly missing in the modern world, at a time when we can benefit the most from their study. In combination with hard physical training, we can more deeply understand ourselves and work towards becoming better human beings for the benefit of all those around us. I received my Shodan in 2011 under Sensei Passmore, Nidan in 2013, Sandan in 2015, Yondan in 2019, since my Shodan I have been attempting to fill the boots of each grade with hard work and humility. I have been a member of Budokan’s Shihankai for several years. During the Covid period I ran an outdoor Dojo in Bransgore prior to me moving away from the New Forest, Since then I ran a Dojo in Aymestrey near Leominster for a year and now I have a small Dojo in Llangunllo, which is open to all. The study of Traditional Japanese Martial Arts is a journey not a destination, The warrior virtues emanating throughout the practice will be with you for your entire life, despite the physical changes or limitations that age or injury my bring. Through dedication, discipline and good instruction we can achieve anything. Outside of Budokan I am an Electrical Designer specialising in explosive environments.

PRETORIA AIKIKAI, SOUTH AFRICA Training is done in an energetic, friendly, safe and non-competitive atmosphere. Beginners and advanced students train as a close, integrated community and family unit in the same class. The pace varies according to the experience and seniority of each member. Beginners and visitors are always welcome. DISCIPLINE AIKIDO – Traditional INSTRUCTION Paul de Beer (6th Dan) Cell: +27 (0)83 636 1764 E-mail: aikido.pretoria@gmail.com Website: www.AikidoPretoria.co.za VENUE The dojo is situated in a basement on the western side of the Rembrandt hall in the LC De Villiers Sport Centre of the University of Pretoria, South Street extension (East), Hatfield, PRETORIA. GPS Coordinates: S25° 45.198 E28º 14.965 PRACTICE TIMES Mondays: 18:00 to 19:30 Wednesdays: 18:00 to 19:30 Fridays: 18:00 to 19:30 The dojo is closed on public, as well as certain University/School holidays. THE DOJO: The Pretoria Aikikai was established in 1979. It continues to play a central role in the training of instructors and the spreading of Aikido throughout South Africa. Tuks Aikido is situated in Hatfield and serves as the central dojo in Pretoria. It is run by Mr Paul de Beer (6th Dan, Aikikai, Dojo-cho) with the aid of assistant instructors. It has close ties with Aikido groups in Japan, Italy, Guam, Great Britain, Hong Kong, New Zeeland, Australia, Canada, China, Russia and Reunion. Seminars and exchanges take place at regular intervals. "Kindness is the language the blind can see and the deaf can hear" - Mark Twain AIKIDO-A TOOL FOR SENSIBLE LIVING REDISCOVERING AIKIDO

BUDOKAN BLACK BELT REGISTER © 1960 - 2024 RICHARD SALMON RAY RYAN 1963* DUNLOP PAUL 1964* DERRICK WRIDGWAY 1965 FRANK VAN RENSBURG 1966* DAVID PASSMORE 1966 JOHN SINDEN 1966 STAN MAHER 1966 WHITEY POLLETT 1966* RONNIE MILLS 1966 WILLIE RIDDEX 1967* VICTOR SYKES 1967* JON WYATT 1967 MICHAEL GETAZ 1967 HERMAN VAN NIEKERK 1968 AUTREY WILKE 1968 LEO LIPINSKI 1968* THEO WOLMARANS 1968 HUGH SADLER 1968 RICKY MARCUS 1968 COLIN MATHESON 1968 BOB SIMMS 1968* STEVEN MANTHEE 1968 TREVOR WISHART 1968 DOUGGIE KNOX 1968* JONATHAN GEVISSER 1968 BILL SUTHERLAND 1968 JAN STEENKAMP 1968 DUP DUPLESSIS 1968 STAN HART 1969 HENRY WOLMARANS 1969 FRANK VAN NIEKERK 1969 BILL COLEMAN 1969 PAUL DE BEER 1969 CLIFF LOWRY-ROSS 1969* LOEK LATAGAN 1970 DON PEDDIE 1970 KELVIN FORDER 1970 MIKE HERSHOWITZ 1970 CORRIE SCHOEMAN 1970 FRIK WILLEMSE 1970 DAVE WILLIAMS 1970 FRITZ SCHREIBER 1970 KURT VAN DUYN 1970 GRAHAM MAXWELL 1970 PADDY CARSTENS 1970 NICK STAMATIS 1970 KEN LEE 1970 CLIFF LAWRIE-ROSS 1970* CAS PRETORIOUS 1971* LUZETTE HERBST 1971 TERRY BOSCH 1971 DAVE MILLAR 1972 LARRY GORGE 1972 TREVOR STEADMAN 1972 DAVID WILLS 1973 ROBER MAUVISE 1973 BRAD SHEPPHARD 1974 CRAIG JONES 1974 JOHAN COETZEE 1974 AMADEO NUNES 1974 GREG FORDER 1974 VIVIAN PLATT 1974 JAMIE NOOHAN 1975 BRIAN VAN DER MERWE 1975 BERYL BATTY 1976 TOY MARROT 1976 MARIO STEFANO 1976 MICHAEL BOND 1976* BRETT VAN ZYL 1976 JEAN CLAUDE LATTER 1976 SANDI GROOM 1976* JESSIE MOODLEY 1976 CHRIS ELLIS 1976 JEROME GUMEDE 1976 WILSON GCABA 1976 PAUL GLADMAN 1976 ANDRE LABOUCHARDIERE 1976 BRETT VAN ZYL 1976 MARION TINKLER 1976 ROCKY PRETORIOUS 1976 NEIL CRAFFORD 1976* HENNIE VAN DER MERWE 1976 * MICK MARTELL 1976 PAUL BUDDEN 1977 PETER BUSH 1977 HAMEED KAZEROONI 1977 ALAN HAIG 1977 ROY ESTABROOK 1977 ALAN DAVIES 1977 TONY HOPPER 1978 MARGARET ROGERS 1978 ROBERT ROHREY 1978 PETER MORLEY 1979 ROY MUSHENS 1979 MICHAEL SCHOFIELD 1977 ALLAN PERT 1979 ROBBIE ROWE 1979 MAHMOOD FAHKRO 1979 DEREK FLYNN 1979 GRANT PRETORIOUS 1979 HERBIE EDWARDS 1979* MALCOLM SEGAR 1979 JOHN STEENHUIZEN 1979 RAY STRODL 1979 CAROL STRODL 1979 JEAN RESCH 1980* PAUL SMITH 1980 DAVID WATERS 1980 KEITH WRIGHT 1980 PHIL NOKES 1980 JOHN HEGARTY 1980 SHANE COLEMAN 1981 JULIE TULLIS 1981* TONY GREEN 1982 SUSIE WALTERS 1982 KOBUS GROBLER 1982 IAN CARD 1982 * SUHAIL ISLAM 1982 JOHN HITCHENS 1982 GAIL COETZEE 1982 ARUN SUBBIAH 1982 DAVID STEWART 1983 CAROLYN FRANCIS 1983 KEN BROOKS 1983 ANDY COTTON 1983 DANIEL VAN VUUREN 1983 DAVID NEWMAN 1984 COBUS CALITZ 1984 MARK DALE 1984 BRIAN MAY 1984 COLIN THOMAS 1984 GORDON PARRISH 1984 STEPHEN HINDLE 1984 ANDY FOX 1985 CAROL LEVY 1985 * ROGER TYM 1985 PETER ROBINSON 1985 BOB ALLAN 1984* GARY SEGHERS 1985 DAVID ROGERS 1985 NICKI CHARNICK 1985 DALE PARRISH 1985 NEIL STARKS 1985 DIANE VAN VUUREN 1985 ROBIN FULLER 1986 ANDREW BROWN 1986 * MARK HINDLE 1986 ATTIE STONE 1986 JON FINCH 1988 LAWRENCE BROWN 1988 KEITH COETZEE 1989 SHAWN DANCER 1989 DAVE EDWARDS 1989 ANDREW HILL 1989 MICKY KLEB 1989 BURT MILLIGAN 1989 MICHAEL SPELLMAN 1990 ANNE RILEY 1991 BERYL BATTY 1991 KEITH BOSCH 1991 STEPHEN HARWOOD 1991 KELVIN DANIELS 1992 PAT MILLER 1992 TONY MCLAUGHLIN 1992 JAMES MATTHEWS 1992 PHILIP RYAN 1993 TREVOR HUGHES 1993 * HILARY CRUNDWELL 1993 PAUL MADIGAN 1993 DAVID MOTE 1994 KEITH TRIGWELL 1994 RICK WILSON 1994 ELIZABETH WRIGHT 1994 GARY DEACONS 1994 TOM FEENEY 1995 MARTIN ROSE 1995 PAUL LAZARUS 1995 ALAN LOCKHART 1996 PAUL HERMAN 1997 DAVID GOLDING 1998 WAYNE MORRIS 1998 KATHY KIRBY 1999 DARREN WAGHORNE 1999 IAN BATES 2001 JOHN LAWN 2003 ROBIN SALMON 2004 JOE BRACONE 2006 MARTIN MILNE SMITH 2006 LINDA BURNS 2007 TED WATTLESWORTH 2007 RICHARD COZENS 2008 MICHAEL CLAPHAM 2008 ROGER MILNE SMITH 2008 CLAIRE MILNE SMITH 2008 NICK SINGLETON 2009 ANDY ROBERTS 2009 DWINDAR NAR 2011 JAN CLAPHAM 2012 KEITH MOLYNEUX 2012 STEVE HEAD 2013 EAMON TOGHER 2013 TOBY MELLOWS 2013 ARTUR SIEPKA 2013 LAURENTIU SUTA 2013 ALEX BLUNT 2015 PAUL FLOYD 2015 RICHARD LILLINGTON 2015 TRACY HARPER 2016 PETER BENSON 2016 PAUL MINTO 2016 MARIE PETRELIS 2016 MARK JOSCELYNE 2017 BRIAN GOODALL 2017 IVOR HOBBINS 2018 ALISTAIR CARR 2018 CHRISTOPHER HYLTON 2019 WILL BUTCHER 2020 ARTUR BORCUCH 2021 JAMES BRYDEN 2022 © BUDOKAN BLACK BELT REGISTER 2023

BUDOKAN DOJO THE HEART AND SOUL OF TRAINING There are thousands of dojo that practice Karate, Aikido Iaido and other traditional Japanese Budo or martial arts such as Kendo, Ju Jitsu, Kodokan Judo and Kobudo - mosltly small "houses" of martial ways. We would like to bring these dojo together via their Dojo Leaders in order to create and host all the content required to teach and learn traditional Japanese Budo in the manner in which they were originally intended, which has become part of our lineage. Including, should any dojo wish it, the teaching of the classical virtues of Japanese Bushido, with the practice of zazen or seated meditation. The OLINE LIBRARY will never replace the dedicated training required to acquire rlelvant skills in martial arts - but will serve as a complement to that effort as more teaching and learning takes place online, simply because it is more easily accessible at any time. It is intended that these DoJo Pages will also hold news, events, grading, social gatherings and views in words, pictures and vodeo of what Budo people, colleagues and friends are up to in the conduct of their daily lives wherever they are in the world. DOJO DIRECTORY RIO GRANDE DO SUL BUDOKAN HOMBU DOJO BUDOKAN SOUTHAMPTON BUDOKAN NETHERLANDS SHINSEI DOJO KODOKWAN JUDO ZAMBIA BUDOKAN JEFFREYS BAY AIKIKAI PRETORIA BUDO KARATE DO SA BUDOKAN IN NZ KYUSHINDO DOJO BUDOKAN ARUNDEL SEISHIN DOJO THE ZEN HUT BUDOKAN LARNE DOJO KENYOKAN DOJO NZ BUDOKAN LLANGUNLLO GOJU RYU KARATE KARATE AIKIDO IAIDO ZAZEN KARATE AIKIDO IAIDO ZAZEN KARATE KYUSHO AND KODOKWAN JUJITSU IAIDO KENDO KODOKAN JUDO AND JUJITSU KARATE AIKIDO KARATE KARATE AND SELF DEFENCE YANAGI RYU JIU JUTSU KARATE AIKIDO IAIDO ZAZEN KARATE KOBUJUTSU KARATE KENJUTSU KOBUDO ZAZEN KARATE AIKIDO GOJU RYU KARATE KARATE AIKIDO IAIDO ZAZEN

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Glossary: Teachers/Influences: NAKAYAMA HAKUDO Takazawa Toyoshi : former head of the Toyama Inn and former student of the Shin-Shintakuma Ryu Jujutsu school. He was a father figure to Hakudo. Saito Michinori : last known Shihan of Yamaguchi Ha Itto Ryu; he was Hakudo’s first sword instructor. Unfortunately little information on him survived. Hosoda Kenzo : Educator and influential sempai of Hakudo. Shindo Munen Ryu Kenjutsu Menkyo under Negishi Shingoro. Negishi Shingoro : 6th Generation Shihan of Shindo Munen Ryu Kenjutsu and Hakudo’s most influential teacher. Takano Sasaburo: Ono Ha Itto Ryu Kenjutsu Menkyo Kaiden, and a Hanshi in Kendo. He was one of Hakudo greatest sempai and confidants. Uchida Ryogoro : A contemporary of Shirashi Hanjiro. Ryogoro received Menkyo Kaiden in Haruyoshi Ha (Haruyoshi branch) of Shinto Muso Ryu and Ikkaku Ryu Torite from Hirano Kichizo Yoshinobu. He also received Menkyo Kaiden in Ono Ha Itto Ryu (from Ikuoka Heitaro), Hozoin Ryu (via the Takeda Family), and Kushin Ryu. He was the founder of Uchida Ryu Tanjojutsu. Takeda Kohachi : former Kuroda Clansmen, he was also a contemporary of Shirashi Hanjiro. He received Menkyo Kaiden in Haruyoshi branch of Shinto Muso Ryu. Kohachi died only a few years after Hakudo began training with him. Itagaki Taisuke : famous Japanese statesmen from Kochi: http://en.wikipedia.org/wiki/Itagaki_Taisuke Oe Masamichi : former Shihan of Muso Jikiden Eishin Ryu and Muso Shinden Eishin Ryu, he was a former samurai of the Tosa/Yamauchi clan. Morimoto Tokumi : former samurai of the Tosa/Yamauchi clan. Tokumi received his Menkyo Kaiden in Muso Jikiden Eishin Ryu from Goto Magobei Masasuke making him Oe Masamichi’s contemporary. Hosokawa Yoshimasa : former samurai of the Yamauchi clan. He was a Shihan of Muso Shinden Eishin Ryu and teacher of Hakudo. Noma Seiji :Kendo enthusiast and founder of Kodansha Publishing Ltd. He established Noma Dojo in 1925. Sasamori Junzo : educator and Hanshi in Kendo and Iaido. He received Menkyo Kaiden in Tsuguru Den and Yamashika Den (collectively together they made up Hirosaki Han Den) Ono Ha Itto Ryu, Muraku Ryu, Hirosaki Han Den Shinmuso Hayashizaki Ryu, and Chokugen Ryu. Kuroda Yasuji : famous swordsmen and Shihan of Kogagawa Kaishin Ryu, Tamiya Ryu, Shin-Shintakuma Daiken-Nichi Ryu, Tsubaki Kotengu Ryu, and Setama Oguri Ryu. He was an activist who fought for the right to practice Japanese martial arts while under American occupation. Kunii Zenya : former Maniwa Nen Ryu Shihan and revisor (disputed creator) of Kashima Shin Ryu. He was recruited by Sasamori Junzo to participate in a bout against an American soldier armed with a rifle and live bayonet. He won the match without killing the soldier. Junzo used this as evidence that weapon based martial arts were as much about preserving life as they were about taking it. The ban on martial arts in Japan was soon after lifted. Ryu-Ha or Schools Mentioned: Toyama Han Den Yamaguchi Ha Itto Ryu (): Founded by Yamaguchi Bokushinsai it was a synthesis of several styles. Most famously studied by Mugai Ryu founder Tsuji Gettan. It was a ryu or school that unfortunately fell into obscurity. Hakudo earned a Mokuroku in the style prior to leaving for Tokyo at eighteen. Upon receiving Menkyo, Inkyo in Shindo Munen Ryu Kenjutsu from Negishi Shingoro, Saito Michinori awarded Hakudo the Zukai Densho () the highest-level scroll in the school. The school died with Michinori. Shindo Munen Ryu (): Founded by Fukui Hyoemon Yoshihira was school of Kenjutsu and Iaijutsu. It became one of the most popular and wide spread martial arts schools in Japanese history. Shingoro and Hakudo’s particular version was Kanto Ha Shindo Munen Ryu: Ono Ha Itto Ryu (): Founded by Ono Tadaaki a student of legendary swordsmen Itto Ittosai, it was Ono’s version of Itto Ryu. The ryu or school was widely transmitted having countless branches all over Japan. The family line was transmitted through the ages until Yamaoka Tesshu received mastery of it. He then formed his Itto Shoden Muto Ryu, effectively ending the Ono family line. Hokushin Itto Ryu (): Founded by Chiba Shusaku Narimasa; Shusaku first learned Hokushin Muso ryu from his father and later Nakanishi Ha Itto Ryu from Asari Matashichiro Yoshinobu. He later combined the teachings by reducing the eight sets of Itto Ryu into three, while adding iaijutsu and later a naginata techniques. The style became one of the most popular styles in the country spreading across Japan. Suifu Ryu (): Founded by Tokugawa Nariaki; a synthesis of the three main sword arts of the Mito Clan (Mito Han Den): Shindo Munen Ryu, Hokushin Itto Ryu, and Togun Ryu. It was one of Nariaki’s most ambitious projects. Sasaki Masanobu was the last shihan of the system. He trained at the Tobukan along with Ozawa Jiro. After his death, Jiro attempted to resurrect the style, but failed. Shinto Muso Ryu (): Founded by Musō Gonnosuke Katsuyoshi; Gonnosuke integrated the spear, naginata, sword, and bo staff into a single versatile weapon. A Otome Ryu () of the Kuroda domain the art split into several factions. By the late Edo Period only two branches survived; the Haruyoshi and Jigyo. Both Uchida Ryogoro and Takeda Kohachi received Menkyo Kaiden in the Haruyoshi branch and taught their versions of Shinto Muso Ryu to the masses. Shirashi Hanjiro (another Kuroda retainer) received Menkyo Kaiden in the Haruyoshi branch and Mokuroku in the Jigyo branch. He later combined and re-codified the schools using the characters for divine (). His line was succeeded by Shimizu Takaji and under went even more revisions. Takaji’s Jodo() was passed to many individuals throughout the world. Uchida’s line unaffected by both Hanjiro and Takaji’s changes was passed on through his son Ryohei and student Nakayama Hakudo. Another line of the Haruyoshi branch survived though one of Hakudo’s students Matsuo Kenpu who received Menkyo Kaiden from Shirashi Tokugoro. Tosa Eishin Ryu (): is a collective reference to Muso Jikiden Eishin Ryu/Muso Shinden Eishin Ryu as taught within the Yamauchi Domain. It was one of several Otome Ryu () of the Yamauchi Domain and as such meant exclusively for Yamauchi clansmen. Muso Shinden Eishin Ryu (): Founded by Hayashizaki Jinsuke Shigenobu and revised by Hasegawa Chikaranosuke Eishin. Shimomura Mōichi Sadamasa was licensed in Tosa Eishin Ryu by Yamakawa Kyūzō Yukikatsu. He (Mochi) was said to have devised several innovative changes in the school and passed them on to his students. Both Yoshimasa and (Oe) Masamichi received Menkyo Kaiden in the school and transmitted it to several people. Yoshimasa issued Menkyo Kaiden to Ueda Heitaro Chubu and Menkyo to Nakayama Hakudo. Ueda’s and a few other lines of Muso Shinden Eishin Ryu survive and are being taught today. Goto Ha Muso Jikiden Eishin Ryu (): Founded by Hayashizaki Jinsuke Shigenobu and revised by Hasegawa Chikaranosuke Eishin. The style was transmitted throughout the years to Tanimura Kamenojō Takakatsu. Kamenojō passed Menkyo Kaiden onto several students including Gotō Magobei Masasuke. One of many shihan of Muso Jikiden Eishin Ryu, his line became known as Goto Ha or Goto version. He had several talented students and issued Menkyo Kaiden to a few of them. Among those awarded were Oe Masamichi and Morimoto Tokumi. Toyama Ryu Gunto Soho (): was developed in 1925 was a military art devised for Japanese soldiers. It consisted of Kumitachi, Iaijutsu, Sojutsu (meant to represent a Bayonet), Happo Giri () or “Eight Methods of Cutting”, Shigeki () or Marksmanships, Tameshigiri () or “Test Cutting”, and Military Music (used for marching and cadence). Hayashizaki Hon Ryu (): Founded by Hayashizaki Jinsuke Shigenobu; it was a style passed down to Nakayama Hakudo via Hosokawa Yoshimasa. The only remaining teacher of the style is Ogawa Takeshi (current headmaster of the Yushinkan Dojo). Glossary of Terms: Shiai Geiko ()- lit: “Contest”, “practice”; it is used to express the idea of a sparing match. Kumitachi ()- lit: “Grouped swords”; is a type of paired form usually found in Japanese weapon arts. Gekiken ()- lit: “Conquering the Sword” or “Fencing“; it was the pre-cursor to modern Kendo. Often ryuor school specific, it was a practice that allowed swordsmen of particular schools to apply learned techniques or concepts in a relatively controlled environment. Unlike modern Kendo; it contained the use of several or multiple weapons, grappling, striking, and physical duress that brought students to a new level of endurance and understanding. Otome Ryu ()- lit: that “which flows but remains at home” was a ryu-ha or school that was either sponsored by or kept secret by a feudal clan. Densho ()- lit: “Written Teachings” are scrolls normally awarded to students of Japanese koryu or “Old Japanese Martial Arts”. Densho act as a both a text on martial arts and certification (having the names of the author, recipient, and date issued). Mokuroku ()- lit: “Catalog” is a type of scroll usually awarded to students after several years of dedication. The details differ from school to school, but a mokuroku consists of a (partial or complete) list of kata, fighting strategy, military strategy, esoteric or religious teachings, philosophy, or other facets of learning. Jun-Menkyo () lit: “Orderly License”; it is a scroll issued by several ryu or schools, usually prior to the Menkyo scroll. Menkyo ()- lit: “License/Permit”; differs from school to school, but is normally a scroll of high level awarded to those who have attained a profound level of skill or understanding in their respective school. Menkyo Kaiden ()- lit: License of Full-Transmission; it is a scroll that normally denotes that the receiver has attained a superior command or even mastery of their ryu or school. Inkyo ()- lit: “Certificate of Proficiency”; is a license given to those who have either finished their training or have been given permission to establish their own dojo. Inka ()- lit: “Certificate of Proficiency”; is a license given to those who have either finished their training or have been given permission to establish their own dojo. (Same as Inkyo) Shihan ()- lit: “Instructor”; is a term often misused today. A Shihan is a person who was fully licensed in their respective ryuor school and by the grace of their teachers, allowed to run or operate their own dojo or training hall. Soke ()- lit: “Head of Family”; it is a term that has been widely misused and misunderstood (especially within the last eighty years). Soke or Patriarch is the head of a family house hold. Japanese families were traditionally extremely hierarchical. Families following Confucian doctrine were divided into households based solely on ones age or importance in the family. The patriarch of the family (normally belonging to the highest house of the family) had the power to make final decisions on behalf of the entire family, issue or cut off financial support to lower households, or in extreme cases hamon () or excommunicate a family relative. It was a very powerful position. Though the principle has existed in Japanese martial systems for sometime, but it has became more or less exaggerated in the 20th and 21st century. It has become a way for a Shihan to consolidate power as well as preserve the integrity of his/her martial art. Hanshi ()- lit: “Instructor of Warriors”; it is an honorary title issued by a number of organizations in Japan. San-Dou-no-Hanshi (): was a honorary title given to those that received Hanshi in Kendo, Iaido, and Jodo from Nippon Butokukai or Zen Nippon Kendo Renmei (All Japan Kendo Federation). Dai Nippon Teikoku Kendo Kata ()- lit: “The Greater Kendo Kata of Imperial Japan” was the pre-cursor to the Nippon Kendo Kata (). Tenranjiai ()- lit: match [game] held while in the presence of the Emperor; a Tenranjiai is not just related to a martial art contest, but in any contest where the Emperor is watching. The martial art related Tenranjiai(s) occurred in 1895 and 1940. Nakayama Hakudo and Takano Sasaburo demonstrated at the Showa Tenranjiai () or the Tenranjiai of the Showa Emperor. Since that time the Tenranjiai have occurred in modern sports like baseball and more traditional sport like Sumo.

BUDOKAN BUDO RESEARCH Here we will publish schoLarly articles and academic papers from Aikido to Zen in all things Traditional Japanese Budo, that we hope will be of interest to both teacher and student alike. All articles and papers will first appear on the Homepage from 2 - 4 weeks. After that they will be posted on this page under the name of the discipline or context. When a single discipline reaches 12 or more articles or papers it will be given its own page. Just click on any of the links below to read more. (NB The views of the authors depicted in these articles and papers listed are for information purposes only) Kindly support the work we are doing by using the DONATE button below. AIKIDO JUJITSU BIOGRAPHY OF MORIHEI UESHIBA REDISCOVERING AIKIDO AIKIDO - A TOOL FOR LIVING AIKIDO AS SPIRITUAL PRACTICE IN US AIKIDO AND THE I A F KARATEDO A SHORT HISTORY OF KARATE INTENTIONALITY IN SHOTOKAN KARATE BUDO KATA - THE TRUE ESSENCE OF BUDO THE JAPANISATION OF KARATE LEG TECHNIQUES IN KARATE KARATE TALK IN A CANADIAN DOJO EASTERN MYSTICISM IN BUDO BUSHIDO A PHD SUBMISSION ON BUSHIDO KENDO THE CONCEPT OF KI IN KENDO IAIDO THE SWORDSMITHS OF JAPAN THE ALMOST FORGOTTEN LINEAGE NAKAYAMA HAKUDO KYUDO HISTORY OF KYUDO AND IAIDO IN EARLY JAPAN JUDO JIGORO KANO UTOPIA THE WAY OF KATA IN KODOKAN JUDO ZEN A BRIEF HISTORY OF ZEN ZEN, HEALTH & WELLBEING A JAPANESE GLOSSARY FOR KARATE STUDENTS First they published A Short History of Karate. Now Michael Cowie and Robert Dyson are soon to publish another little gem this year. Budokan has been given a glimpse of their work and you can too by clicking on the image below. And its not that little either! Enjoy. MISCELLANEOUS THE JAPANESE PURSUIT OF PERFORMATIVE MASTERY INTERESTING FACTS ON HISTORY OF MARTIAL ARTS SUMO - ANCIENT RITUAL TO THUNDER GOD TEA CULTURE OF JAPAN & CHINA MUSA CHUGYO - THE WARRIOR PILGRAMAGE BUFFER

JAPANESE EMBASSY DEOMONSTRAION YANAGI RYU JIU-JUTSU KYUSHINDO DOJO HANDFORTH CHESHIRE UNITED KINGDOM SK9 3BP 0843 5070123 Chief Instructor CHRIS DAVIES 8TH DAN Registered and graded in Japan chris@yanagiryu.co.uk Days and times of classes Senior grade and Instructor classes Wednesdays 7.00-9.00PM Disciplines Hontai Yoshin Ryu Tensin Ryu Kuki Ryu Chin-Na Qi Gong Battlefield Weapons Ninpo We teach a traditional range of Samurai Battlefield weapons as well as unarmed Jiu-Jutsu techniques and their associated healing arts. These schools of training go back to 1350AD in Japan and 800AD in China as the art of Chinese Ju-Jutsu – Chin-Na. We offer classes, courses and seminars all over the world as well as via our online live interactive dojo. Our therapy training group http://www.TotalTherapyTraining.co.uk offers classes and instruction in the associated healing traditions.

TAMURA NOBUYOSHI The body, core of the practice The major architect of the development of Aikido in France and Europe Writtenby Eric Grousilliat Tamura Nobuyoshi, born in 1933 and deceased in 2010, was undoubtedly the major architect of the development of aikido in France and Europe. Entered as an uchi deshi at the Honbu dojo of the aikikai on August 5, 1952, he stayed there until his departure for Europe in October 1964. He was a privileged partner of Ueshiba Morihei, particularly with the weapons, and served as otomo (assistant) during his trip to the Hawaiian Islands in 1961. 5th dan at the time, Tamura sensei quickly made a name for himself among Hawaiian aikidoka, who nicknamed him the “stone wall” because it was impossible to move him. Settled in the south of France for almost 50 years, he had the reputation of an efficient aikido, despite his small size, and while he taught two days a week in his Shumeikan dojo, he spent the rest of his time teaching in large workshops, often gathering 400-500 people, both in France, Europe, and also in other countries. At the time when he was uchi deshi, Tamura was described by his fellow students as a “carbon copy of the founder”, because gifted with a deep sense of observation, he had perfectly understood that in the world of Budo, one must be able to “steal the technique”. Tamura sensei’s credo was that the first goal of the practice was to order the body, i.e. to remove the useless, to adopt a correct posture, to pose the breath. After that, once the body orders, the mind follows. That’s how he understood the words of Ueshiba Morihei: “Aikido is misogi”. From his beginnings in Europe in November 1964 until his last training course in France in March 2010, Tamura sensei’s practice was in constant evolution, always trying to purify his movements, to find the right gesture. This concerns his practice of Taijutsu of course but also the practice of weapons and preparatory gymnastics, the junbi dosa. At the time Tamura sensei entered the Honbu dojo, the morning class began with Ame no torifune, and then the technical study came immediately afterwards. With the development of aikido to a wider audience, it was decided, mainly under the leadership of Tohei Koichi, to introduce Junbi dosa. Ueshiba Morihei also became older and was interested in different healthy systems. Tamura sensei said: “It is a tradition that existed in Aikido, at the time of O sensei. The Makko-ho, the health system of Katsuzo Nishi Sensei or the method of Kenzo Futaki (Misogi no Renseikai). O sensei would try certain things himself and if he found it interesting, he would ask his students to do so. He would say, “It’s good” or “It’s not good” (Laughter). He would make us do that, but he would say, “Stop if you feel something is wrong. I still do some Nishi sensei exercises every morning Tamura sensei introduced when he arrived in France, the junbi dosa learned at the Honbu dojo, starting with Amenotorifune, followed by taisabaki, tekubidosa, ukemi, breathing exercises, shikko, etc…they are often referred to as aikitaiso. It is a practice that is quite well known by aikidoka around the world and I will not dwell on it. However, it can be said that in accordance with the founder’s conception, Tamura sensei did not see these exercises as a kind of warm-up but as aikido. He said: “Practicing Aikitaiso is already practicing Aikido” Tamura sensei was a Budo researcher, curious about everything. In his book “Aikido”, he said: “To practice martial art, you study dietetics, anatomy, psychology, meteorology, astrology, geology, sociology, etc.”. For combat, these studies are essential, they are necessary. ” With this state of mind, his practice was in constant evolution, in constant research, especially in the domain of the body. It was therefore quite natural that Tamura sensei proposed to her students certain methods to both strengthen the body but also improve health. At a young age, he was already interested in the macrobiotic diet, meeting Sakurazawa Yukikazu, the founder of the method. It was through this method that he heard about aikido and met Yamaguchi Seigo. It was the latter who convinced him to become uchi deshi. Still in the prime of life, he first became interested in Jikyo jutsu, a set of 31 movements, combining joint gymnastics, breathing exercises and also acupuncture point pressure. Tamura sensei used to repeat movements 1, 2 and 15 after the complete series. At the time Tamura sensei entered the Honbu dojo, the morning class began with Ame no torifune, and then the technical study came immediately afterwards. With the development of aikido to a wider audience, it was decided, mainly under the leadership of Tohei Koichi, to introduce Junbi dosa. Ueshiba Morihei also became older and was interested in different healthy systems. Tamura sensei said: “It is a tradition that existed in Aikido, at the time of O sensei. The Makko-ho, the health system of Katsuzo Nishi Sensei or the method of Kenzo Futaki (Misogi no Renseikai). O sensei would try certain things himself and if he found it interesting, he would ask his students to do so. He would say, “It’s good” or “It’s not good” (Laughter). He would make us do that, but he would say, “Stop if you feel something is wrong. I still do some Nishi sensei exercises every morning Tamura sensei introduced when he arrived in France, the junbi dosa learned at the Honbu dojo, starting with Amenotorifune, followed by taisabaki, tekubidosa, ukemi, breathing exercises, shikko, etc…they are often referred to as aikitaiso. It is a practice that is quite well known by aikidoka around the world and I will not dwell on it. However, it can be said that in accordance with the founder’s conception, Tamura sensei did not see these exercises as a kind of warm-up but as aikido. He said: “Practicing Aikitaiso is already practicing Aikido” Tamura sensei was a Budo researcher, curious about everything. In his book “Aikido”, he said: “To practice martial art, you study dietetics, anatomy, psychology, meteorology, astrology, geology, sociology, etc.”. For combat, these studies are essential, they are necessary. ” With this state of mind, his practice was in constant evolution, in constant research, especially in the domain of the body. It was therefore quite natural that Tamura sensei proposed to her students certain methods to both strengthen the body but also improve health. At a young age, he was already interested in the macrobiotic diet, meeting Sakurazawa Yukikazu, the founder of the method. It was through this method that he heard about aikido and met Yamaguchi Seigo. It was the latter who convinced him to become uchi deshi. Still in the prime of life, he first became interested in Jikyo jutsu, a set of 31 movements, combining joint gymnastics, breathing exercises and also acupuncture point pressure. Tamura sensei used to repeat movements 1, 2 and 15 after the complete series. The Jikyo jutsu, which could be translated as the “technique of developing one’s own strength”, was created in 1916, under the efforts of Nakai Fusagoro ( / 1878-1931 ), as the first Japanese gymnastics for the promotion of health. Within the context of Budo, of course, improving one’s breathing capacity, flexibility and relaxation, muscle tone, is something of very important, in perfect accordance with the practice of the techniques. Regarding Jikyo jutsu, Tamura sensei said: “After doing the Jikyo jutsu exercises, I am instantly able to hold myself in a natural and relaxed posture, which is very effective when you are not feeling well. It’s difficult when you practice with a partner, but when you practice them alone, you become able to see inside yourself. As Tamura sensei became older, he gave up this practice for himself, but he always invited his students to do so. He then practiced several kinds of methods inspired by his knowledge of Chinese and Japanese practices, a series of self-massage to relax and energize or a series of stretches that were both complete and relaxing. The latter method was particularly useful for correcting the body’s posture, rather than forcing on the body’s muscles, the emphasis was on maintaining different positions. Chinese method of Qi Qong It was in the early 2000s, when I used to go regularly to the Shumeikan dojo, that sensei presented for the first time his method called the eight pieces of brocade, which is part of the Chinese method of Qi Qong. This was the beginning and afterwards he made some slight changes to the exercises. Far from the dynamism of Aikitaiso or Jikyojutsu, the eight breathing movements were slow, but also with great mental concentration. In this way, the coordination between movement and breathing was refined, and in this way, we became closer to the work of aikido. Tamura sensei described her evolution of the Junbi dosa as follows: “Before, I used to start with Ame no torifune. Then followed other educative ones such as Ikkyo undo. These are movements that O’Sensei practiced and are perfect for young people. The children also like them a lot. Now I’m older and more sensitive to my body. I feel that it is good to do this or that exercise depending on the moment and I change the preparation. I say it often, but these are things that I have discovered over time and that make me feel good. I currently practice a kind of Chinese gymnastics that I find very interesting. It’s a suggestion that I make to people. Everyone has to look for what works for them. You can do the exercises with a health perspective at the beginning but after a period of time, it should become a work of introspection on the body. If we really pay attention to each gesture, an exercise that we thought we were doing correctly will seem difficult the next day. The body is an extraordinary thing and we must learn to listen to it. Anything that is not natural imposes constraints on the body. Positions that may appear comfortable to us superficially are often incorrect and do not allow the body to function naturally. The most correct positions are the best for health. They do not use any force and do not tire, no matter how long they are held. If your shisei is correct, the breath is settled and the body is relaxed. That’s why kokyu ho exercise is extremely important. One finds there the same type of research as in zazen or yoga. Budokas should have the posture that yogis or Zen monks have. This work of posture, of shisei, constitutes in my opinion the basis of the bases. As long as the shisei is not established, it is useless to think about movement. It is something that I think is particularly missing in today’s aikido world. But the meaning of shisei does not only refer to an external attitude: a good form, a style, a good posture, but also, an inner force visible from the outside in its manifestation. The sword, forge of body and mind It is usual to say that aikido comes from the sword…this was especially true in the work of Tamura sensei. Everything, in his gestures, in his attitude, in his eyes was placed under the sign of the sword. Experiencing a technique from him was like feeling a cut. Tamura sensei’s father was a kendo instructor, trained at the Budo senmon academy (), and it was one of his friends who trained young Nobuyoshi in kendo. During the same period, he started judo. It is around 20 years old, after becoming uchi deshi of the honbu dojo, that he was initiated to iaido with the very famous Haga Jun’ichi, a formidable swordsman, pupil of Nakayama Hakudo. It was probably for a short period of time, as his tasks as an uchi deshi were very strenuous, but a passion for the work was born. Tamura Semsei ‘s lecture about bokken So when he started in France as an aikido teacher, he quickly realized that just working with the bokken and the jo, which he had learned from O sensei, made it hard to fully understand the real sword work, especially for a western audience. He therefore proposed the practice of iaido, devoting part of the training courses to this practice. In 1977, on the advice of Chiba Kazuo sensei, who is very involved in the practice of Iaido, Tamura sensei invited Mitsuzuka Takeshi, an expert from the Muso Shinden Ryu school, the last generation of Nakayama Hakudo’s students, to teach during the aikido workshops. At the same time, during the Shodan’s examinations , Tamura Sensei required the knowledge of the first four Iaido kata of the Muso shinden ryu school. Tamura sensei’s Iai As with the Junbi taiso, the practice of Iaido becomes an important part of Tamura sensei’s training. As a passionate person, Tamura sensei’s practice was in perpetual evolution, he tried out new things, keeping what he thought was useful, discarding the rest. The sword was at the heart of his practice, in his way of executing the techniques, in his way of walking, getting up, doing ukemi, etc.. At the end of the 90s, something pushed his practice further in this direction. He discovered the incredibly fine work of Kuroda Tetsuzan, met her, and introduced important changes in his practice, such as the way of making ukemi, holding the sword or moving while doing the techniques. For his own training he worked on the kata of iaijutsu demonstrated by Kuroda sensei, for his students he proposed to work on the first sword suburi presented by Kuroda sensei. Of course, Tamura sensei also proposed exercices with partner using the bokuto or the jo, but this was based on a rather simple but fundamental work, looking for opening, weakness in the partner’s guard, while avoiding offering it oneself. Again, a deep and profound work on the shisei, concentration, observation. There was no separation in his practice, Taiso, Buki waza and Taijutsu corresponded to the same study, a study on oneself. One of the most important principles of Tamura sensei’s sword was the absence of blocking. The sword does not make contact with the partner’s sword at any time, it seeks the opening in the guard and cuts directly into the center. Facing Tamura sensei, it was really hard to initiate an attack, at the slightest movement, you were “cut”. Similarly, with my bare hands, at the slightest grasp of Tamura sensei, it was impossible for me to move. On the contrary, to try to attack Tamura sensei was to immediately find oneself “cut off”, i.e. unbalanced without really understanding why.

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